Quotes 341 till 360 of 836.
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If you're sitting in that audience ready to fight me from the very beginning, I'm going to have a hard time getting to you. But if you've got a heart at all, I'm going to get it.
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If you've got a talent, protect it.
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If you've got an industry where you've got massive investment, it doesn't matter whether you bring in alternative supplies. You still lose the money on that industry.
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If you've got talent, stick with it... because talent wins out, without a doubt.
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If you've got unemployment, low pay, that was just too bad. But that was the system. That was the sort of economy and philosophy against which I was fighting in the 1930s.
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In 1922, I got a small stipend from the Swedish-American Foundation and went to Cambridge, England, for a few months and thereafter to Harvard University. In the summer, Cambridge was rather empty, but I am grateful for many pleasant talks about economics with Austin Robinson who, in the summer of 1922, seemed to be about as lonely as I was.
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In 1973, women got 59 cents on the dollar; now we are getting 74 cents on the dollar. In the area of finance and business, we are at 68 cents on the dollar.
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In a leadership role in Iraq and in running my own business, what I've learned is if you don't listen, you're going to strike out. You're going to fail miserably. The people you work with have got to know you're engaged and you're listening.
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In Britain, what we've done is say to 485 million people, 'You can all come, every one of you. You're unemployed? You've got a criminal record? Please come. You've got 19 children? Please come.' We've lost any sense of perspective on this.
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In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.
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In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.
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In fact when I first got my Apple II the first thing I did was turn it on and off, on and off, just because I had the power to do so, which I'd never had on a computer before.
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In high school, I worked eight hours a day just so I could get into the college of my dreams and say that I got in - and I never went.
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In most Life Situations, the truth is irrelevant. Once in a great while, however, it's the only thing you've got.
Buddy Holly is Alive and Well on Ganymede (1991) -
In our culture, we get very much into shorthanding people. And I got shorthanded as That Guy: Jennifer Lopez, movies bombed, therefore he must be a sort of thoughtless dilettante, solipsistic consumer blahblahblah. It's hard to shake those sort of narratives.
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In our game, it's your vanity that keeps you in shape. I've got a little gym set up, and I ride a single-speed bike up the hills behind my house. Lately I've been kind of a slacker. Usually it's a film role that makes me start getting in shape. Between roles, I try to do a little maintenance, but I'm not a workout fanatic at all.
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In our lives in a lot of ways it's all about fake. You've got people wanting things for fake reasons.
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In the beginning of my career, I wanted to be chased by girls more than anything - that's why I got the guitar. By the time we were in ABBA, the music was the only important thing.
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In the beginning, I wanted to enter what was essentially a man's field. I wanted to prove I could do it. Then I found that when I did as well as the men in the field I got more credit for my work because I am a woman, which seems unfair.
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