Quotes 101 till 120 of 120.
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There are certain actors you watch in a movie, and you think, 'Wow, that guy is very skilled.'
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There are not that many parts for actors who are not white - even less substantive ones.
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There's a huge raft of roles that actors in our culture perform, and you can see any one of about three Hamlets in a year. It's not something to be completely daunted by.
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Unfortunately for the 'Tomorrow' series, I feel that for the actors that were in the first film, maybe our commitment to it is done.
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Washington is no place for a good actor. The competition from bad actors is too great.
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We become actors without realizing it, and actors without wanting to.
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We can compare classical chess and rapid chess with theatre and cinema - some actors don't like the latter and prefer to work in the theatre.
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We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
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We must focus much more on developing countries' own policies and priorities, and increase policy and operational coherence between national, regional and multilateral actors.
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We shouldn't see ourselves as 'controllers' of the world, but as 'actors' in the world.
Zire Notes May 2004 December 2006 -
We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
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Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.
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When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
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When the scenes are written really great, we as actors try not to mess them up by getting in the way.
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When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
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When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.
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You have actors who begin at a certain young age and there's very little change in their technique and the depth of their performances; they're the same 30 years later.
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You never stop thinking about technique, but really, the reason we're actors is because of the sheer joy of those few moments you get every now and again where you're totally present. The rest is just struggle and misery.
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You're always aware that only eight per cent of actors are in work at one time, so you've got to be thankful for the job you've got and do the best you can.
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