Quotes 141 till 160 of 170.
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There's a huge raft of roles that actors in our culture perform, and you can see any one of about three Hamlets in a year. It's not something to be completely daunted by.
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Unfortunately for the 'Tomorrow' series, I feel that for the actors that were in the first film, maybe our commitment to it is done.
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Unfortunately, there can be no doubt that man is, on the whole, less good than he imagines himself or wants to be. Everyone carries a shadow, and the less it is embodied in the individual's conscious life, the blacker and darker it is. If an inferiority is conscious, one always has a chance to correct it. Furthermore, it is constantly in contact with other interests, so that it is continually subjected to modifications. But if it is repressed and isolated from consciousness, it never gets co
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Vote counting and ballot collecting does not occur in the light of day. There are too many occasions when observers and opposing parties lose contact with the ballots.
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Washington is no place for a good actor. The competition from bad actors is too great.
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We become actors without realizing it, and actors without wanting to.
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We can compare classical chess and rapid chess with theatre and cinema - some actors don't like the latter and prefer to work in the theatre.
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We have to learn how to contact one another over an enormous land space, across five-and-a-half time zones, in what as once a wilderness of scattered settlements, in what is now a sprawl of suburban edge cities and satellite towns. Technology forges connections and disconnections here.
Source: Towards A Canada of Light First Meditation, p. 35 -
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
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We must focus much more on developing countries' own policies and priorities, and increase policy and operational coherence between national, regional and multilateral actors.
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We shouldn't see ourselves as 'controllers' of the world, but as 'actors' in the world.
Source: Zire Notes May 2004 December 2006 -
We're actors - we're the opposite of people.
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We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
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What I have always wanted for myself is much more primitive. It is probably nothing more than the affection of the people with whom I am in contact, and their good opinion of me.
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What is needed, rather than running away or controlling or suppressing or any other resistance, is understanding fear; that means, watch it, learn about it, come directly into contact with it. We are to learn about fear, not how to escape from it.
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Whatever talent I had, I'm sure it helped that my parents were in the business and that I grew up around actors, comedians and directors.
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When civilised nations come into contact with barbarians the struggle is short.
Source: The Descent of Man and Selection in Relation to Sex, Vol. I (1871) -
When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
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When I've ridden in parades, I always throw to the kids, the elderly and anyone who is smiling and having a great time. I try to make eye contact with the person. If you catch a ton and a kid nearby hasn't caught much, share.
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When the scenes are written really great, we as actors try not to mess them up by getting in the way.
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