Quotes 1841 till 1860 of 6747.
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For me, it's all about moderation. I don't kick things out of my diet, like carbs. But I'm not going to eat fast food.
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For me, the card catalog has been a companion all my working life. To leave it is like leaving the house one was brought up in.
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For me, the moral difficulties lie in the continual pressure brought to bear on my friends and immediate family, pressure which is not directed against me personally but which at the same time is all around me.
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For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
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For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
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For much of America, the all-American values depicted in Norman Rockwell's classic illustrations are idealistic. For those of us from Vermont, they're realistic. That's what we do.
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For my part I distrust all generalizations about women, favorable and unfavorable, masculine and feminine, ancient and modern; all alike, I should say, result from paucity of experience.
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For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation.
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For one man is my world of all the men this wide world holds; O love, my world is you.
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For some reasons, I have WWE wrestlers tweeting me all the time. Like, my biggest fans. Why they can connect with my love for Meryl Streep, I don't know.
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For sure, the American people have access to more information now than any other people who have ever lived on earth. And I think we do a pretty good job of sorting out what's important.
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For that again, is what all manner of religion essentially is: childish dependency.
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For the first time in American history, men in authority are talking about an 'emergency' without a foreseeable end,...Such men as these are crackpot realists: in the name of realism they have constructed a paranoid reality all their own.
Source: The Power Elite (1956) -
For the want of a nail, the shoe was lose; for the want of a shoe the horse was lose; and for the want of a horse the rider was lost, being overtaken and slain by the enemy, all for the want of care about a horseshoe nail.
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For this equilibrium now in sight, let us trust that mankind, as it has occurred in the greatest periods of its past, will find for itself a new code of ethics, common to all, made of tolerance, of courage, and of faith in the Spirit of men.
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For this is what America is all about. It is the uncrossed desert and the unclimbed ridge. It is the star that is not reached and the harvest that is sleeping in the unplowed ground.
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For unflagging interest and enjoyment, a household of children, if things go reasonably well, certainly all other forms of success and achievement lose their importance by comparison.
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For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential, the imagination.
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For Wealth are all things that conduce, to one's destruction or their use. A standard both to buy and sell, all things from heaven down to hell.
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For whatever reason, not all people are born with the particular gift of being able to express ourselves through music. And, believe me, it is a gift.
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