Quotes 1701 till 1720 of 6532.
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Every so often, we all gaze into the abyss. It's a depressing fact of life that eventually the clock expires; eventually the sand in the hourglass runs out. It's the leaving behind of everything that matters to us that hurts the most.
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Every time I come home, and every time before I leave, I invite all my friends and I get hummus from this little shack in Tel Aviv called Baadunas.
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Every time I sit in the audience and watch a show that I have been involved with, it is such an amazing feeling to see all those people around me, knowing they are actually watching and enjoying something I have written.
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Every time I think I know what's right and wrong, I end up being wrong. All I want to do is explore. I want to see what people would do. I say, 'What would this person do in this situation?' and I write it down. I'm not writing manifestos of my political views.
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Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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Every time, all the time, I'm a perfectionist. I feel I should never lose.
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Every year during their High Holy Days, the Jewish community reminds us all of our need for repentance and forgiveness.
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Every year there's five cop shows, five medical shows and five 'Law & Orders,' but when it's a show about women, they want to pit everyone against each other. I don't think they'd do that if it was a guy show. I think there's room for all of us.
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Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise.
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Everybody gets so much common information all day long that they lose their common sense.
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Everybody goes through a stage where you have it. And, all of a sudden, you don't have it anymore. You get older and the audience gets younger.
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Everybody has his own theatre, in which he is manager, actor, prompter, playwright, sceneshifter, boxkeepeer, doorkeeper, all in one, and audience into the bargain.
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Everybody needs a little light in their life, and when they need prayer, they know where to come, because they know I love them all, and I ain't judging nobody.
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Everybody who knows anything about me knows all I ever wanted to do is play pro football. But I didn't have the talent, and I got hurt a lot. I'd do anything to be out on the field.
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Everybody's a mad scientist, and life is their lab. We're all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos.
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Everyone confesses in the abstract that exertion which brings out all the powers of body and mind is the best thing for us all; but practically most people do all they can to get rid of it, and as a general rule nobody does much more than circumstances drive them to do.
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Everyone I knew was a Red Sox fan. Living up there in 1967 - the Impossible Dream season - that moment was incredibly compelling. I just naturally gravitated to the team. Nineteen seventy-five was arguably the greatest World Series of all time.
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Everyone knew that democracy-direct rule by all the people-required such spartan, self-denying virtue on the part of all the people that it was likely to survive only where poverty made upright behavior necessary for the perpetuation of the race.
The Ideological Origins of the American Revolution Ch. III, POWER AND LIBERTY A THEORY OF POLITICS, p -
Everything a teenager does, says or looks at, however transitory, contributes to an aggregated virtual self that might one day have consequences for its real-life counterpart. How many of us would keep all our relationships and reputations intact if every transgression, mistake or youthful folly was held in public view?
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