Quotes 4501 till 4520 of 6696.
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That's not the part of the story that I'm interested in, anyway. The part that I'm interested in is all the personal stuff. I tried to base the powers on family archetypes.
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That's the public-school system all over. They may kick you out, but they never let you down.
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That's the way things come clear. All of a sudden. And then you realize how obvious they've been all along.
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That's what all we are: amateurs. We don't live long enough to be anything else.
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That's what Chess is all about. One day you give your opponent a lesson, the next day he gives you one.
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That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.
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That's what learning is. You suddenly understand something you understood all your life, but in a new way.
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That's what writing is all about, after all, making others see what you have put down on the page and believing that it does, or could, exist and you want to go there.
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The ''good old times'' - all times when old are good.
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The ''kingdom of Heaven'' is a condition of the heart -not something that comes ''upon the earth'' or ''after death.''
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The 'good old times' - all times when old are good.
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The abdication of belief makes the behavior small - better an ignis fatuus than no illume at all.
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The abjection of our political situation is the only true challenge today. Only facing up to this situation in all its desperation can help us get out of it.
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The ablest men in all walks of modern life are men of faith. Most of them have much more faith than they themselves realize.
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The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.
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The act of bell ringing is symbolic of all proselytizing religions. It implies the pointless interference with the quiet of other people.
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The Act of God designation on all insurance policies; which means, roughly, that you cannot be insured for the accidents that are most likely to happen to you.
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The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
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The adept may reach one of those rare moments that spell illumination - aware of the light of the consciousness that illumines our consciousness as the sun dawns on the sleeping earth and bathes it in effulgence.
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The advantage of time and place in all practical actions is half a victory; which being lost is irrecoverable.
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