Quotes 3661 till 3680 of 8601.
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In regard to this Great Book, I have but to say, it is the best gift God has given to man. All the good the Saviour gave to the world was communicated through this book.
Source: Reply to Loyal Colored People of Baltimore upon Presentation of a Bible, 7 september 1864 -
In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.
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In retrospect, all these exercises in self-gratification seem pure fantasy, what Pascal called, licking the earth.
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In science, all facts no matter how trivial, enjoy democratic equality.
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In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, high-tech architecture is, of course, no different in spirit - if totally different in form - from all the romantic architecture of the past.
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In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it's vivid, I find that I care about it, and it's part of me.
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In some ways, my gift for music and writing was born out of tragedy, really, and loss.
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In suggesting gifts: Money is appropriate, and one size fits all.
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In taking out an insurance policy one pays for it in dollars and cents, always at liberty to discontinue payments. If, however, woman's premium is a husband, she pays for it with her name, her privacy, her self-respect, her very life, ''until death doth part.''
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In terms of a narrative nonfiction book, when you're describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together, well yeah, there's definitely going to be a little bit of the author in that. But there's nothing wrong with that.
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In terms of representation, television is reflecting an era that has passed. It's the wrong time; it's the wrong period. In all sorts of television, it doesn't feel like the 21st century.
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In terms of the ability to go out and win - this is why you have campaigns. You go out, and you take your issues to voters, and you put them out there, and people respond, or they don't.
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In terms of the series, we worked separately, getting together in rehearsal to beat out the material.
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In the 60's there was a look. In the 70's there was a look, and in the 80's. Now, it's a free-for-all.
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In the arts of life man invents nothing; but in the arts of death he outdoes Nature herself, and produces by chemistry and machinery all the slaughter of plague, pestilence, and famine.
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In the beginning was the Word. Man acts it out. He is the act, not the actor.
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In the beginning, before the arrival of the white men, I had considered myself neutral. I had wanted neither side to win, neither the army nor the rebels. As it turned out, both sides lost.
Source: A Bend in the River (2012) 52 -
In the beginning, though, I have to admit that I did have a chip on my shoulder. I did want to prove everyone wrong. But after I went through the process and came out the other side, it wasn't about anyone else.
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In the case of 'Blood Stone,' the producers, EON, Michael Wilson, Barbara Broccoli, David Wilson and Gregg Wilson, had an idea for a story and had a lot of it done. And I came in, worked with them, fleshed it out.
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