Quotes 2801 till 2820 of 6456.
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In our lives in a lot of ways it's all about fake. You've got people wanting things for fake reasons.
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In our sad condition our only consolation is the expectancy of another life. Here below all is incomprehensible.
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In philosophy if you aren't moving at a snail's pace you aren't moving at all.
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In point of fact all Americans are automatically turned down by China these days because of the escalation of Johnson's war in Vietnam, which several times has intruded into China.
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In polite society one laughs at all the jokes, including the ones one has heard before.
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In politics, as in life, we must above all things wish only for the attainable.
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In prison, those things withheld from and denied to the prisoner become precisely what he wants most of all.
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In properly organized groups no faith is required; what is required is simply a little trust and even that only for a little while, for the sooner a man begins to verify all he hears the better it is for him.
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In real life I avoid all parties altogether, but on paper I can mingle with the best of them.
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In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool. On paper, though, it's all stripped back. The musical idea is the one that wins.
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In regard to this Great Book, I have but to say, it is the best gift God has given to man. All the good the Saviour gave to the world was communicated through this book.
Reply to Loyal Colored People of Baltimore upon Presentation of a Bible, 7 september 1864 -
In religion all words are dirty words. Anybody who gets eloquent about Buddha, or God, or Christ, ought to have his mouth washed out with carbolic soap.
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In retrospect, all these exercises in self-gratification seem pure fantasy, what Pascal called, licking the earth.
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In science, all facts no matter how trivial, enjoy democratic equality.
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In short, the building becomes a theatrical demonstration of its functional ideal. In this romanticism, high-tech architecture is, of course, no different in spirit - if totally different in form - from all the romantic architecture of the past.
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In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.
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In terms of a narrative nonfiction book, when you're describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together, well yeah, there's definitely going to be a little bit of the author in that. But there's nothing wrong with that.
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In terms of representation, television is reflecting an era that has passed. It's the wrong time; it's the wrong period. In all sorts of television, it doesn't feel like the 21st century.
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