Quotes 2221 till 2240 of 8505.
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For decades, parents were told by so-called parenting 'experts' that offspring would be best raised on the belief each is special and entitled to all life has to offer.
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For every life and every act consequence of good and evil can be shown and as in time results of many deeds are blended so good and evil in the end become confounded.
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For everybody, I think that we all, when we look at this situation of race, we need a change of heart, and I said it before. I believe the heart change comes from repenting of your racism, repenting of your bias, repenting of your prejudice and understanding that, you know what, God sees us all the same.
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For example, computer defends well, but for humans its is harder to defend than attack, particularly with the modern time control.
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For I am full of spirit and resolve to meet all perils very constantly.
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For in all adversity of fortune the worst sort of misery is to have been happy.
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For me everything in the film was gradually building, becoming more emotional, so it helped. At the end of it all I was emotionally drained. At that point I took Rose's view, that this has to happen, there's nothing I can do about it.
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For me the greatest revenge of all is having a happy adulthood, waking up in my gorgeous turquoise bedroom in the morning beside a person who really inspires me. That's the best revenge a girl-loving girl from the Bible belt could possibly have. And, importantly, it's healthy.
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For me, a show's a show. I try to put on the best show I can for whatever audience or time slot I get.
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For me, forgiveness and compassion are always linked: how do we hold people accountable for wrongdoing and yet at the same time remain in touch with their humanity enough to believe in their capacity to be transformed?
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For me, I always try and deliver. Regardless of the situation, I always try and play hard every time I step out on the court. If I don't deliver and play well, then I know I haven't been working hard enough.
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For me, it's all about moderation. I don't kick things out of my diet, like carbs. But I'm not going to eat fast food.
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For me, the card catalog has been a companion all my working life. To leave it is like leaving the house one was brought up in.
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For me, the heyday was in 1959. It was before the Ferus Gallery moved across the street, in the days when Ed Kienholz and Walter Hopps ran it. At that time, art was taken very seriously in terms of being an artist, and not as a profession.
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For me, the moral difficulties lie in the continual pressure brought to bear on my friends and immediate family, pressure which is not directed against me personally but which at the same time is all around me.
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For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
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For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
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For me, writing time has always been precious, something I wait for and am eager for and make the best use of. That's probably why I get up so early and have writing time in the quiet dawn hours, when no one needs me.
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For much of America, the all-American values depicted in Norman Rockwell's classic illustrations are idealistic. For those of us from Vermont, they're realistic. That's what we do.
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