Quotes 5741 till 5760 of 26406.
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For me, nudity and strong language have never been huge loadbearing elements of how I like to tell a story. Graphic images certainly are.
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For me, the heyday was in 1959. It was before the Ferus Gallery moved across the street, in the days when Ed Kienholz and Walter Hopps ran it. At that time, art was taken very seriously in terms of being an artist, and not as a profession.
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For me, the moral difficulties lie in the continual pressure brought to bear on my friends and immediate family, pressure which is not directed against me personally but which at the same time is all around me.
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For me, the most important thing is to continue to play well and to be a positive figure and hopefully a role model for kids as well.
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For me, the movies I like are all independent. And getting an independent feature made, it's like you get down to the selling organs part, and it just loses some of its luster.
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For me, the original play becomes an historical document: This is where I was when I wrote it, and I have to move on now to something else.
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For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
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For me, trying to articulate the world to help people see it in a way they haven't seen it before is hugely important. Sometimes, you have to take something that is completely inexplicable and say, 'Look, here is the beating heart of something you must understand.'
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For me, working out is a form of therapy. It's cathartic for me; it's a good stress reliever. I know that when I go to the gym I am taking care of myself, and I know I'll feel so much better afterwards.
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For me, writing time has always been precious, something I wait for and am eager for and make the best use of. That's probably why I get up so early and have writing time in the quiet dawn hours, when no one needs me.
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For missionary entrepreneurs, the dream outcome is to build an 'Internet treasure' - a brand that defines a generation, proves that we are better than our parents, and becomes something we couldn't live without.
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For months it seemed that a revolution was certain. But instead, slavery seems more likely now. The working class no longer has the physical resistance for a revolution, and the Entente is too strong, and Russia is too weak.
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For morality life is a war, and the service of the highest is a sort of cosmic patriotism which also calls for volunteers.
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For more than four decades, the Libyan people have been ruled by a tyrant - Moammar Gaddafi. He has denied his people freedom, exploited their wealth, murdered opponents at home and abroad, and terrorized innocent people around the world - including Americans who were killed by Libyan agents.
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For mortal men there is but one hell, and that is the folly and wickedness and spite of his fellows; but once his life is over, there's an end to it: his annihilation is final and entire, of him nothing survives.
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For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.
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For most men life is a search for the proper manila envelope in which to get themselves filed.
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For most men, and most circumstances, pleasure - tangible material prosperity in this world - is the safest test of virtue. Progress has ever been through the pleasures rather than through the extreme sharp virtues, and the most virtuous have leaned to excess rather than to asceticism.
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For most of my life, one of the persons most baffled by my own work was myself.
Lecture at the University of Maryland (March 2005)
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