Quotes 15541 till 15560 of 26406.
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Playing live is really the art form. You're a lot freer, a lot looser. You've got people there that can give you feedback, and then you can play off of that. There's so much more energy.
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Playing safe is probably the most unsafe thing in the world. You cannot stand still. You must go forward.
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Plays are so much more special if they've never ever had a production, but I think you can really work on a play and make it better with each production.
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Please all, and you will please none.
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Please try to remember that what they believe, as well as what they do and cause you to endure does not testify to your inferiority but to their inhumanity.
Source: Nobody Knows My Name (1961) -
Pleasure and action make the hours seem short.
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Pleasure and pain, though directly opposite are contrived to be constant companions.
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Pleasure is a by-product of doing something that is worth doing. Therefore, do not seek pleasure as such. Pleasure comes of seeking something else, and comes by the way.
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Pleasure is labour too, and tires as much.
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Pleasure is Nature's test, her sign of approval. When man is happy, he is in harmony with himself and his environment.
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Pleasure is the object, duty and the goal of all rational creatures.
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Pleasure that is obtained by unreasonable and unsuitable cost, must always end in pain.
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Pleasure usually takes the form of me and now; joy is us and always.
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Plenty of men can do good work for a spurt and with immediate promotion in mind, but for promotion you want a man in whom good work has become a habit.
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Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
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Plots, true or false, are necessary things, to raise up commonwealths, and ruin kings.
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Plunge boldly into the thick of life, and seize it where you will, it is always interesting.
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Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.
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Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
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Poems, for me, begin as a social engagement. I want to establish a kind of sociability or even hospitality at the beginning of a poem. The title and the first few lines are a kind of welcome mat where I am inviting the reader inside.
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