Quotes 18441 till 18460 of 25201.
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The pitch should be very clear about what you are doing, why you are doing it, and why I should care. If you can cover those things quickly and precisely, it's easy for me to decide whether I want to spend more time with you or not.
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The place is very well and quiet and the children only scream in a low voice.
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The place where you made your stand never mattered. Only that you were there... and still on your feet.
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The planet's hope and salvation lies in the adoption of revolutionary new knowledge being revealed at the frontiers of science.
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The plant is blind but it knows enough to keep pushing upwards towards the light, and it will continue to do this in the face of endless discouragements.
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The planter, the farmer, the mechanic, and the laborer... form the great body of the people of the United States, they are the bone and sinew of the country men who love liberty and desire nothing but equal rights and equal laws.
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The plastic bottle we're throwing away every day still stays there. And if we show that to people, then we can also promote some behavioral change.
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The plastic virtues: purity, unity, and truth, keep nature in subjection.
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The Platonists and their Christian successors held the peculiar notion that the Earth was tainted and somehow nasty, while the heavens were perfect and divine. The fundamental idea that the Earth is a planet, that we are citizens of the Universe, was rejected and forgotten.
Source: Cosmos (1980) -
The plays of natural lively children are the infancy of art. Children live in a world of imagination and feeling. They invest the most insignificant object with any form they please, and see in it whatever they wish to see.
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The pleasure of one's effect on other people still exists in age - what's called making a hit. But the hit is much rarer and made of different stuff.
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The pleasures of spring are available to everybody and cost nothing.
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The pleasures of the imagination are as it were only drawings and models which are played with by poor people who cannot afford the real thing.
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The plum tree in the yard's so small
It's hardly like a tree at all.
Yet there it is, railed round
To keep it safe and sound. The poor thing can't grow any more
Though if it could it would for sure.
There's nothing to be done
It gets too little sun.Source: Poems, 1913-1956 The Plum Tree [Der Pfaumenbaum] (1934) from The Sv -
The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
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The poet gives us his essence, but prose takes the mold of the body and mind.
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The poet ranks far below the painter in the representation of visible things, and far below the musician in that of invisible things.
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The poet speaks to all men of that other life of theirs that they have smothered and forgotten.
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The poetic act consists of suddenly seeing that an idea splits up into a number of equal motifs and of grouping them; they rhyme.
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The poetry of heroism appeals irresistibly to those who don't go to a war, and even more to those whom the war is making enormously wealthy. It's always so.
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