Quotes 181 till 196 of 196.
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Why would I care what other people are thinking? I don't care what an audience thinks of me.
(2010) -
Would Hamlet have felt the delicious fascination of suicide if he hadn't had an audience, and lines to speak?
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Write while the heat is in you. The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.
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You can go from doing something quite silly to something dead serious in the blink of an eye, and if you're making those connections with your audience then they're going to go right along with it.
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You can have a knack for dancing, but you still have to practice till your feet are bleeding to be worthy of being in front of an audience.
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You can only be as good as your audience. Sometimes you can be as bad as your audience, but you have to remember you can never be better than them.
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You can't be a casual observer of something humorous - you have to engage, you have to find it funny for the relationship between actor and audience to work.
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You do a clean show and it's over and the audience have enjoyed themselves and you've enjoyed yourself, and you haven't had to resort to shock.
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You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you.
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You have a new audience for every show. Even though you do the same thing all the time, you gotta keep it fresh for yourself, and you gotta keep it good and interesting and something you want to do. I'm anxious to have a really terrific act. Whatever it takes it takes.
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You have to be willing to deal with the ups and downs of the music, the ups and downs of the audience.
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You instinctively discover how to entertain an audience.
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You really have to be careful with the clues you lay into the film - if they're too heavy-handed, or you've pandered to a slightly stupider audience, then you've spoiled it for the people who are even slightly smart.
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Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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In terms of the black female audience, usually if you're true to that character but more so in your body of work if you've proven that you love your sisters and you proven you will come back home like in 42.4% they'll give you a pass when you jump ship. I hear it all the time.
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