Quotes 161 till 180 of 196.
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We are sick with fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas. Meditation is therefore the art of suspending verbal and symbolic thinking for a time, somewhat as a courteous audience will stop talking when a concert is about to begin.
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We constantly run lines together before every show too, and then there's a long, traditionally long, story to tell the audience every show. Today, we're doing it twice.
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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We have respect for our audience.... We operate on the conviction that it is composed of young children of potentially good taste, and that this taste should be developed.
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We love the Stooges, and young kids today don't watch them. They think it's their dad's comedy. So we thought we could reintroduce them to a new audience.
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We simply write the kind of music we enjoy most and hope that our audience will enjoy it too.
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We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
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Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
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Westerns are very difficult to predict whether they'll reach an audience or not.
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What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience. Talk about awesome.
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What I'm hoping is that every album I'm going to do will give my audience something different, and that they'll grow as I do.
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When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
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When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move.
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When I told the people of Northern Ireland that I was an atheist, a woman in the audience stood up and said, yes, but is it the God of the Catholics or the God of the Protestants in whom you don't believe?''
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When one shows up in jeans and a T-shirt, I strongly feel that the audience reacts in a very different way than when you show up in a sport coat and a tie.
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When you are proud of something you have done, and you have made a film you feel has merit, and it's found an audience and is critically well received, that's a pretty pleasurable place to be. I mean, you don't want it gathering dust at the bottom of someone's DVD collection.
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When you make a film like this, you must have the highest expectations of your audience. Having worked in situations where we have the lowest expectations of our audience.
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When you're a performer, of course you want an audience, but it's very, very different from courting fame.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.
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