Quotes 1341 till 1360 of 2655.
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My dad was one of the reasons I got into rock and roll, because I was learning the ropes of his business, which was selling powertools, and I was looking for a way out from under his heel. I was like, 'Where's the fun? Where's the glamour?'
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My family was very supportive of my acting. They didn't really have a choice because I got jobs acting before anyone could really say anything. It paid my way through college and helped my family out.
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My father always read obituaries to me out loud, not because he was maudlin or morbid, but because they were mini biographies.
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My father had all these great names for our cows. Bossy and Daisy and Petunia and Turnip. One of my jobs was to round up the cows before milking. I'd go out back with the dog and bring them in.
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My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.
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My favourite book as a child was an old 'Newne's Children's Encyclopaedia' which my grandfather had bought just before World War II and donated to our family after seeing how interested we were in it. Each volume had special chapters called 'Things Boys can Do.' My brothers and I would pick out interesting projects.
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My first book, 'The Age of Wire and String,' came out in 1995, and it was hardly reviewed at all.
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My first year in the big leagues, I made $17,000. It was easy to go out and get another $17,000 relief pitcher. I never worried about innings or pitches. I just pitched.
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My goal is for Gunnar to outlive me. That's the way it should be. My dream is for him to be a dad himself one day, so he can find out all the anxiety that kids bring to their dads.
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My grandmother played the piano, and I used to toddle over there and pick out little things that sounded good to me.
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My heart has been heavy and I have deliberated within my own conscience, knowing that my decision should not come out of my initial emotion of anger toward the President for such reckless behavior, but should be based on the facts.
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My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
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My interest in desperation lies only in that sometimes I find myself having become desperate. Very seldom do I start out that way. I can see of course that, in the abstract, thinking and all activity is rather desperate.
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My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
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My life changed irrevocably four-and-a-half years ago when my spine failed and collapsed. I spent two years on the floor, in excruciating, debilitating and unrelenting pain. I can only describe the pain as being submerged into a vat of scalding acid that has an electric current running through it. And you can never get out, ever.
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My life has no purpose, no direction, no aim, no meaning, and yet I'm happy. I can't figure it out. What am I doing right.
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My life hasn't been conventional and it hasn't been linear. I've had to make it up as I've gone along, which has taught me a lot. If you don't accept the obvious options that are laid out for you, it's up to you to work out where you're going and to create your own specific rules and goals.
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My life is different since I moved back to L.A. from New York, mostly because I have a family and I don't go out.
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My mind withdrew its thoughts from experience, extracting itself from the contradictory throng of sensuous images, that it might find out what that light was wherein it was bathed.... And thus, with the flash of one hurried glance, it attained to the vision of That Which Is.
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