Quotes 2641 till 2660 of 3710.
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The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
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The Capone era. That was my time. Capone was a big baseball fan. He'd walk into the ballpark like the president walking in today, with bodyguards all around him.
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The Cemetery of Forgotten Books is like the greatest, most fantastic library you could ever imagine. It's a labyrinth of books with tunnels, bridges, arches, secret sections - and it's hidden inside an old palace in the old city of Barcelona.
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The charm of fame is so great that we like every object to which it is attached, even death.
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The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem... I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.
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The chief assertion of religious morality is that white is a color. Virtue is not the absence of vices or the avoidance of moral dangers; virtue is a vivid and separate thing, like pain or a particular smell.
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The child in you, like all children, loves to laugh, to be around people who can laugh at themselves and life. Children instinctively know that the more laughter we have in our lives, the better.
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The cinema, like the detective story, enables us to experience without danger to ourselves all the excitements, passions, and fantasies which have to be repressed in a humanistic age.
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The cinema, like the detective story, makes it possible to experience without danger all the excitement, passion and desirousness which must be repressed in a humanitarian ordering of life.
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The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
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The closing years of life are like the end of a masquerade party, when the masks are dropped.
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The comic and the tragic lie inseparably close, like light and shadow.
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The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can't just plunge my hand into the meat of it. I need new approaches.
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The consciousness of being deemed dead, is next to the presumable unpleasantness of being so in reality. One feels like his own ghost unlawfully tenanting a defunct carcass.
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The cool thing about being famous is traveling. I have always wanted to travel across seas, like to Canada and stuff.
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The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
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The court is like a palace of marble; it's composed of people very hard and very polished.
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The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and there's ongoing creative revelations. Yes, it's really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.
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The crew knew because they had heard from other people, and when I showed up on the set the next day, they were all looking at me kind of weird. I told them that Bill always taught me that whenever something bad like that happens, the best thing to do is work.
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The criminal justice system, like any system designed by human beings, clearly has its flaws.
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