Quotes 581 till 600 of 648.
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When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
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When I get older, I don't think I'll like to have wrinkles, or a big jelly belly. I cannot have it.
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When I got a telly we had no aerial, but I discovered that if I or one of the children stood by it you could get a picture. So I had to make a statue that could stand by the telly.
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When I left French 'Vogue,' New York welcomed me with a big, big hug.
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When I left school I went on trip around the world - I only got as far as Australia, but like a bloody fool I cut it short because of a girl. It's probably one of my big regrets in life.
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When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.
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When I started out, even though you had your rhythm section, they were big horn sections, strings, live people laying on every part of the floor in the studio waiting for their chance to get on that one little track.
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When I was a child, I had posters of James Dean in my room. I was a big admirer of his work and was fascinated by him living on the edge. Looking back, my life was kind of the same.
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When I was a freshman in high school, I got a letterman jacket, which you'd think would be great stock. The jacket had the big S on it, for Santa Monica. But rather than having a football or a baseball on the S, I had a little nine iron. Girls thought it was a flute.
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When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
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When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
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When I was writing the Destiny's Child songs, it was a big thing to be that young and taking control. And the label at the time didn't know that we were going to be that successful, so they gave us all control. And I got used to it.
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When in doubt, wear a suit. Look at male politicians: you see them in a suit, and they look fine. But if you see a picture of them on the weekend or on vacation, there's a good chance they look terrible and unstylish.
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When it comes to discrimination, Americans pride ourselves on how far we've come. Racial segregation is history. Explicit sex discrimination is banned. Same-sex marriage is the law of the land. But amidst all the progress, the male-female wage gap persists, and it's big.
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When it comes to two of the big social earthquakes in the last fifty years - which are the gay movement and the women's movement - I think there is a direct line from Kinsey to those.
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When Jerry Lewis and I were big, we used to go to parties, and everybody thought I was big-headed and stuck up, and I wasn't. It was because I didn't know how to speak good English, so I used to keep my mouth shut.
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When lorry drivers come up behind me and I'm cycling, innocently keeping to my side of the road, and they decide because they are so big, and their lorry is so powerful, and they just want to clear me out of the road, and they hoot aggressively, then I do see red a bit. I do.
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When people tell you they saw your last picture - well, the way they say it sounds like they hope it was.
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When she stopped conforming to the conventional picture of femininity she finally began to enjoy being a woman.
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When someone who is known for being comedic does something straight, it' s always 'a big breakthrough' or a 'radical departure.' Why is it no one ever says that if a straight actor does comedy? Are they presuming comedy is easier?
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