Quotes 7121 till 7140 of 25361.
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I did a lot of writing for a lot of different kinds of bands that I was in and out of during those five years and that left me with a little body of songs that I liked better when I played alone, so I ended up going out solo and very soon made my first album.
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I did a play in New York at the public theater, a Shakespeare play, and M. Night Shyamalan, who is the writer/director of 'The Village,' came and saw me in the play and asked to go to lunch afterwards.
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I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along.
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I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.
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I did not enter the labor Party forty-seven years ago to have our manifesto written by Dr. Mori, Dr. Gallup and Mr. Harris.
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I did not have three thousand pairs of shoes. I had one thousand and sixty.
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I did not wish to take a cabin passage, but rather to go before the mast and on the deck of the world, for there I could best see the moonlight amid the mountains. I do not wish to go below now.
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I did what my conscience told me to do, and you can't fail if you do that.
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I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.
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I didn't go to business school, didn't care about financial stuff and the stock market.
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I didn't know if it would be a success-ful one, or what the stages would be, but I always saw myself as a lifetime musician and songwriter.
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I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.
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I died a mineral, and became a plant. I died a plant and rose an animal. I died an animal and I was man. Why should I fear? When was I less by dying?
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I discovered a long time ago that if I helped people get what they wanted, I would always get what I wanted and I would never have to worry.
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I dislike arguments of any kind. They are always vulgar, and often convincing.
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I dislike literary jargon and never use it. Criticism has only one function and that is to help readers read and understand literature. It is not a science, it is an aid to art.
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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I divide all readers into two classes: those who read to remember and those who read to forget.
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I do 100 shows a year, but I do it in fits and starts, as opposed to going on a long run.
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