Quotes 441 till 460 of 491.
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What I think is interesting is that the more you do, you have to invent a book of rules of what you can do and what you can't do. And the very real danger is that if your book of rules becomes a book of cliches.
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Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.
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When a book raises your spirit, and inspires you with noble and manly thoughts, seek for no other test of its excellence. It is good, and made by a good workman.
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When a man says he sees nothing in a book, he very often means that he does not see himself in it: which, if it is not a comedy or a satire, is likely enough.
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When I began work on my first book, 'The River of Doubt,' which tells the story of Theodore Roosevelt's 1914 descent of an unmapped river in the Amazon rainforest, I thought of it as a tale of adventure, exploration and extraordinary courage.
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When I came back to Washington to be The Times' chief congressional correspondent in 1991, I was looking for a book subject, and Ted Kennedy stood out for two reasons.
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When I get back from this book tour, I'm planning to learn the internet. Maybe I can hook up in cyberspace.
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When I read a book I seem to read it with my eyes only, but now and then I come across a passage, perhaps only a phrase, which has a meaning for me, and it becomes part of me.
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When I think about the books I've written, it probably takes 150,000-200,000 words to get a 50,000 page book. Highlighting something and hitting Cmd-X is second nature.
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When I want to read a book, I write one
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When I was child, I never spoke. Teacher used to write remarks on my note book. My mom sent me to a trainer. I started talking, and it gave me confidence.
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When I write and develop things myself, I might work for a while on a script from a book, and then I go back and read the book and go back into it to see if I lost something: is there something there?
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When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.
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When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
(2017) -
When it comes to housework the one thing no book of household management can ever tell you is how to begin. Or maybe I mean why.
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When one man dies, one chapter is not torn out of the book, but translated into a better language.
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When the book comes out it may hurt you - but in order for me to do it, it had to hurt me first. I can only tell you about yourself as much as I can face about myself.
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When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
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When we were shooting 'The Book Thief,' I was keeping all these journals. And I remember talking to my mom, really trying to verbalize all the experiences I was having. And I remember my mom saying, 'Ben, reflection is a retroactive process.' When you're going through it, that's the time to just let it wash over you.
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When you are old and gray and full of sleep, and nodding by the fire, take down this book and slowly read, and dream of the soft look your eyes had once, and of their shadows deep.
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