Quotes 41 till 60 of 62.
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The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much.
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The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
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The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
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The hand of the painter is incurably mechanical: his technique is incurably artificial. The camera is so utterly unmechanical.
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The modern world is not given to uncritical admiration. It expects its idols to have feet of clay, and can be reasonably sure that press and camera will report their exact dimensions.
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The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself!
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The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.
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The very first video experience I had was in high school. They brought a black-and-white closed-circuit surveillance camera into the classroom. I will never forget, as a kid, looking at that image.
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The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking.
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There will be a time very shortly that I just might not be in front of the camera at all, and I might just be behind the scenes. I love doing television, though. I don't necessarily love being in front of the camera.
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This thing called the camera, that takes everything in equally, taught me a lot about how to see.
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Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures.
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Usually, YouTube channels are named after the person that you see on camera... or in the case of ours, it could have been the show, but we didn't even name the company 'Red vs. Blue.' We named it something else to give people the idea that we were going to be doing more than that.
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We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.
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What the human eye observes causally and incuriously, the eye of the camera notes with relentless fidelity.
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When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.
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When I was teaching at Harvard in the 1970s, I went to Project Incorporated in Cambridge and took photography classes. I didn't even know how to aim the camera in those days.
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When you are younger, the camera is like a friend and you can go places and feel like you're with someone, like you have a companion.
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Where I think the most work needs to be done is behind the camera, not in front of it.
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With my book 'How to Remodel a Man,' I was on Oprah, Fox News, the Early Show, and Good Morning America. Oprah was the best - an hour long segment. TV is so short; you answer a few questions, and then it's over. It feels like a hit-and-run with a camera.
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