Quotes 3021 till 3040 of 6336.
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It's great to be compared to a great player like Tracy McGrady, but I think I'm my own type of player. I'm 6'10'' and a bit bigger than he is as a player. I also think I'm a bit different and play a different position. He's more of a guard, and I can play all around through five.
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It's great to play somebody's wife, but not all the time. There's so many other stories to tell.
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It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
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It's hard to say whether the general incidence of school violence of all types is increasing or not.
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It's important not to lose sight of the fact people of all sorts are still putting themselves at risk. It happens to straight and gay, single and married. I have never been comfortable thinking of AIDS as something that 'other people' get.
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It's important to have a non-nostalgic view and say, let's look forward, because if we don't, all we'll hear are voices telling us to go back.
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It's just a fact of life. Everybody grows up and goes through changes, and our audience has seen it all.
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It's just a ride and we can change it any time we want. It's only a choice. No effort, no work, no job, no savings and money, a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one.
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It's Kennedy's war, Vietnam. Lyndon Johnson got all the flak, but it's Kennedy's war.
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It's like a runner or a swimmer training all the time. I sing every day.
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It's like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
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It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
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It's necessary to track characters all the way through an opera. If you're dealing with more than one or two characters, it's very easy to forget that the others have lives of their own that feed into the story.
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It's nice, being brought up with no money at all. It's just not how I measure success, so that makes it a bunch easier.
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It's not a field, I think, for people who need to have success every day: if you can't live with a nightly sort of disaster, you should get out. I wouldn't describe myself as lacking in confidence, but I would just say that the ghosts you chase you never catch.
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It's not particularly fun to have to factor in step stools to almost all areas of your home.
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It's not tough at all as long as the fans are yelling, screaming and hollering.
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It's nothing to do with us at all, our success is due to the taste of the public.
Countdown interview, Mascot Airport, Sydney, April 1976. -
It's only women who are not really quite women at all, frivolous women who have no idea, who neglect repairs.
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It's really a wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them, because in spite of everything I still believe that people are really good at heart.
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