Quotes 1 till 20 of 564.
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The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam...
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There were people who said the Society of Cincinnati in the American revolution, of which George Washington was one of the shining lights, was a branch of the Illuminati.
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Anglo-Saxon civilization has taught the individual to protect his own rights; American civilization will teach him to respect the rights of others.
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This American government - what is it but a tradition, though a recent one, endeavoring to transmit itself unimpaired to posterity, but each instant losing some of its integrity? It has not the vitality and force of a single living man; for a single man can bend it to his will.
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American feminism's nose dive began when Kate Millet, that imploding beanbag of poisonous self-pity, declared Freud a sexist. Trying to build a sex theory without studying Freud, women have made nothing but mud pies.
Sex, Art and American Culture : New Essays (1992) -
Because of the Chinese culture of obedience, you don't ask questions... You follow and obey.
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Clearly, some time ago makers and consumers of American junk food passed jointly through some kind of sensibility barrier in the endless quest for new taste sensations. Now they are a little like those desperate junkies who have tried every known drug and are finally reduced to mainlining toilet bowl cleanser in an effort to get still higher.
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I think the greatest curse of American society has been the idea of an easy millennialism - that some new drug, or the next election or the latest in social engineering will solve everything.
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It is from the blues that all that may be called American music derives it most distinctive characteristics.
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It seems to be a law in American life that whatever enriches us anywhere except in the wallet inevitably becomes uneconomic.
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Let reverence for the laws be breathed by every American mother to the lisping babe that prattles on her lap. Let it be taught in schools, in seminaries, and in colleges. Let it be written in primers, spelling books, and in almanacs. Let it be preached from the pulpit, proclaimed in legislative halls, and enforced in the courts of justice. And, in short, let it become the political religion of the nation.
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The American Constitution, one of the few modern political documents drawn up by men who were forced by the sternest circumstances to think out what they really had to face, instead of chopping logic in a university classroom.
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The hall-mark of American humor is its pose of illiteracy.
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The spirit of our American radicalism is destructive and aimless; it is not loving; it has no ulterior and divine ends; but is destructive only out of hatred and selfishness.
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We are eager to tunnel under the Atlantic and bring the Old World some weeks nearer to the New; but perchance the first news that will leak through into the broad, flapping American ear will be that the Princess Adelaide has the whooping cough.
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What I did not yet know so intensely was the hatred of the white American for the black, a hatred so deep that I wonder if every white man in this country, when he plants a tree, doesn't see Negroes hanging from its branches.
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You might expect that the American College of Obstetricians and Gynecologists would be there and they are.
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The full bibliography of pamphlets relating to the Anglo-American struggle published in the colonies through the year 1776 contains not a dozen or so items but over four hundred;
The Ideological Origins of the American Revolution FOREWORD, p. v -
'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
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'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
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