Quotes 2121 till 2140 of 3841.
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My greatest strength is... common sense. I'm really a standard brand - like Campbell's tomato soup or Baker's chocolate.
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My idea is to play with the people who you know want to get it right. Then it's fun and easy to record, and you can get down to details, like taking out cymbals so the verse doesn't dwarf the chorus, something like that.
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My idea of an amusement park story is getting adventurers to go tour environmental disaster areas. After all, if the entire Great Barrier Reef gets killed, which seems like an extremely lively possibility, what are you going to do with all that rotting limestone?
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My job is not to save 'The Wheel of Time', to fix 'The Wheel of Time', or anything like that. My job is not to screw it up.
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My job, and that's my job, is to dress the naked truth. To make it interesting, to make it viable, to make it seem like something you understand and feel and love.
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My life is full of mistakes. They're like pebbles that make a good road.
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My love is like a red, red rose, that's newly sprung in June.
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My main characters are the most sunny, happy, optimistic, loving creatures on the face of the Earth. I couldn't be happier that's where I start. I can put as many flawed people in the dog's world as I like, but the dog doesn't care. Dog doesn't judge. Dog doesn't dislike. Dog loves. That's not so bad.
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My message to a lot of guys is, if you like school and you like education, baseball is gonna be there, and you can get some of the same great competition in college that you do in the low minor leagues.
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My mother emails me stuff about when she finds a paparazzi photo and they're like, his hair is out of control.
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My mother groaned, my father wept, into the dangerous world I leapt; helpless, naked, piping loud, like a fiend hid in a cloud.
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My mother has always been unhappy with what I do. She would rather I do something nicer, like be a bricklayer.
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My movie is born first in my head, dies on paper; is resuscitated by the living persons and real objects I use, which are killed on film but, placed in a certain order and projected on to a screen, come to life again like flowers in water.
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My nature is subdued to what it works in, like the dyer's hand.
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My own funeral, I'd like to be laid out in a coffin in my own house. I would like my coffin to be put in the double parlor, and I would like all the flowers to be white.
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My own pregnancies were all about me, me, me. My aches, my pains, my swollen feet, and my body that looked like the Michelin Man.
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My parents were really encouraging. But I had to teach them the proper way you respond to an actor after seeing a play - regardless of whether you like their performance you tell them how great they are because they have to go on again the next night.
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My passions were all gathered together like fingers that made a fist. Drive is considered aggression today; I knew it then as purpose.
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My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move.
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My sister is an opera singer. I grew up going to her recitals. This whole time, I'm like, 'She's the singer. I'm just strumming along and yelling.'
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