Quotes 41 till 60 of 109.
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I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'
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I've always felt that in a comedy script the stage directions should also have a comedic value.
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I've come to realize that life is not a musical comedy, it's a Greek tragedy.
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I've seen so many excellent actors - excellent actors - who, the minute they're told they're in a comedy, turn into God knows what - creatures from another planet! I mean they just... the voice changes, they don't look the same, it's like - it has no similarity to any living human being, do you know what I mean?
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In comedy, reconcilement with life comes at the point when to the tragic sense only an inalienable difference or dissension with life appears.
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In comedy, though, it's good to get feedback from the audience about what they find funny.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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In Miami, I was studying improv as well as acting. Improv is a great tool to have, just for the comedic timing that you get. When I moved to L.A., I started taking classes with The Groundlings, and I loved it. I'm definitely in love with improv and comedy.
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Instead of going into politics, I decided to go into comedy, which is the second most daunting career path for a woman.
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Is it spoken word? Kinda, but that's a weird area. Is it comedy? Well, it's funny but no, it's not comedy.
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It's always been said that comedy comes mostly out of the dark side anyway.
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It's always been said that comedy comes mostly out of the dark side anyway.
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It's certainly strange to do sketch comedy with cue cards at midnight in a skyscraper as opposed to in a basement with your friends.
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It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.
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Life is a comedy for those who think... and a tragedy for those who feel.
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Life is a tragedy when seen in close-up, but a comedy in long-shot.
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Molly Shannon, for example, is someone I've always really looked up to, because her comedy is so physical and wild and unembarrassed and brave.
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My comedy is different every time I do it. I don't know what the hell I'm doing.
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My favorite work is The Full Monty because I got an Oscar for it. But it was really hard work at the time. Sometimes comedy is not a bundle of laughs to actually do.
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Now people want what the movie was about, which is violent comedy. And that's really what The Aristocrats is based on - what will a family do out of desperation.
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