Quotes 821 till 840 of 2759.
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I swear... to hold my teacher in this art equal to my own parents; to make him partner in my livelihood; when he is in need of money to share mine with him; to consider his family as my own brothers and to teach them this art, if they want to learn it, without fee or indenture.
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I tell you one thing - if you want peace of mind, do not find fault with others. Rather learn to see your own faults. Learn to make the whole world your own. No one is a stranger, my child; this whole world is your own.
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I tell you there isn't a thing under the sun that needs to be done at all, but what a man can do better than a woman, unless it's bearing children, and they do that in a poor make-shift way; it had better ha been left to the men.
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I tend to write the episodes in the middle of the season, which can be a challenge because you've got to balance all these threads that have begun - and also make sure they will make sense with the overall plan going forward.
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I think it's a terrible thing to write and not enjoy it. It's a sad thing. But of course a lot of people do work because they need to eat. And we all need to eat, but that's not the only reason to work. You couldn't have paid me not to write.
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I think it's always dangerous to make political arguments in a religiously ideological way. And it's very dangerous to treat as traitors to the American nation those who think differently.
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I think like any marriage, especially when you’ve had divorced parents like myself, you’d want to try even harder to make it work.
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I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
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I think on some level, that's a fear that exists in everybody, that if we're tested, we won't make the courageous choice. We won't make the decision that would make us heroic. We make the decision that would reveal us to be all too human.
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I think that one of the problems that exists in the United States and in many places in the world is that people don't believe that they can make a difference. So a lot of times we're defeated before we even start. We've become consumers of a world vision, of Kentucky Fried Chicken, of McDonalds.
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I think that the cinema is a physical thing. What I'm looking for is creating a physical shock with the audience. I don't care of the meaning. I don't care of the idea. I don't want to say something. I want to make a 'shock physique.'
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I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
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I think there's not a lot of real filmmakers. There are only a few people who make real cinema. I can count them on my fingers.
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I thought I was benefiting the Indians as well as the government, by taking them all over the United States, and giving them a correct idea of the customs, life, etc., of the pale faces, so that when they returned to their people they could make known all they had seen.
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I try to build a full personality for each of our cartoon characters - to make them personalities.
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I try to extract something positive from every situation, even if it's just learning not to make the same mistake twice.
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I used to tell my husband that, if he could make me 'understand' something, it would be clear to all the other people in the country.
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I used to think that the worst thing in life was to end up alone. It's not. The worst thing in life is to end up with people who make you feel alone.
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I usually make sure that my stories are from Africa or my own background so as to highlight the cultural background at the same time as telling the story.
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