Quotes 1181 till 1200 of 25137.
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'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
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'Anthony and the Magic Picture Frame' tells it like it really was in America's early space program - the adventure, the risks, and the rewards.
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'As a genereal rule you shouldn't expect too much from people darling,' and then I kiss her on the cheek.
Glamorama (1998) -
'Bagdad Cafe' was a film that changed many, many people's lives... how they saw themselves and how they looked at their life situation. I thought I made a little movie. All the mail that I get is about how it changed lives, and that's wonderful.
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'Benedict' means 'blessed.' My parents liked the sound of the name and felt slightly blessed because they'd been trying for a child for a very long time.
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'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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'Dr Who' is an extraordinary association that I have because I didn't realise until I was in the show quite how worldwide it is and how popular and how dear it is to so many people's hearts.
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'EastEnders' has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvelous cast and crew and have made many lasting good friends.
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'Frank and explicit', that is the right line to take when you wish to conceal your own mind and to confuse the minds of others.
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'Frankenstein' was all about the idea that, through electricity and the destruction of night, man creating light and darkness, we took on god-like powers and then abused them like gods, and we are only men. That's a story about man making a man in his own image. The inversion of natural order.
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'Game of Thrones' has multiple story lines, multiple countries, and it's complete fantasy.
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'Gillespie and I' is a deliciously morbid, almost smutty story, a compendium of inappropriate wants and smarmy desires.
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'Gorilla Man' is a composite of a few individuals, but the song itself was actually inspired by James Taylor. I spied his 'Gorilla' album laying on my floor and in some altered state, instantly started singing the chorus. It was fun to write. There's an old notebook with at least three more verses in it somewhere.
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'Grandmother' doesn't mean that you have gray hair and you retire and stay home cooking cakes for your grandchildren.
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'I Just Might Pray' by The David Mayfield Parade has an upbeat tempo without being sugary sweet. 'I Just Might Pray' is an enjoyable track and is easily listened to. As a side note, the video for 'I Just Might Pray' is absolutely adorable.
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'In Praise of Slowness' chronicles the global trend towards deceleration that has come to be known as the Slow Movement. Don't worry, though: it is not a Luddite rant. I love speed. Going fast can be fun, liberating and productive. The problem is that our hunger for speed, for cramming more and more into less and less time, has gone too far.
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'It Girl' is such a weird term. It implies I go to parties and drink champagne.
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'J'eet jet?' is still the standard way for a Pittsburgher to ask if you're ready for a meal, but the meal itself is no longer limited to chipped ham and an Iron City beer.
All destroyer—and famous quotes and sayings you will always find on greatest-quotations.com (page 60)
