Quotes 141 till 160 of 218.
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On 'Saturday Night Live,' you wear so many hats there. You're the prop person, the actor, you're everything.
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One actor in my life is enough, and that's me. With actors, it's too easy to go into this world of complaining. Someone will always be better, richer, more loved, do more work. Those dynamics don't interest me.
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One guy told me I was a great actor, I just would never be on the cover of a magazine.
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Our demands are simple, normal, and therefore they are difficult to satisfy. All we ask is that an actor on the stage live in accordance with natural laws
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Part of the advantage, and part of the result of trying to be a producer and director, are the practical things, you find. It's so advantageous to go to a place that you already have a feel for, a literal and spiritual familiarity.
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People assume actors are born liars, but I'd argue the actor's job is to tell the truth. And I've realised I'm not a good liar.
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Script for an actor is like a bible. You carry it with you, you read it over and over, you go to your passages.
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Sex in the City was a different kind of phenomenon because of the show itself is a phenomenon and to me that's successful because to resonate with women across the board for six years and have only one African-American actor pass through for one episode.
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Show me a great actor and I'll show you a lousy husband. Show me a great actress, and you've seen the devil.
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Since stepping down as laboratory director in 1999, I have devoted an increasing fraction of my time to international issues. I am involved with energy, environment, and sustainability issues, particularly as they involve new energy sources free of greenhouse gases.
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Some of the greatest love affairs I've known have involved one actor – unassisted.
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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
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Sometimes you need to put your own characteristics into the actor, and you take different things from the character that you admire - sometimes you can't see the boundaries anymore.
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Such is an actor's life. We must ride the waves of every film, barfing occasionally, yet maintain our dignity, even as the bulk of our Herculean efforts are keel-hauled before our very eyes.
On filming MacHales Navy -
T.V.'s weird because it's both the greatest gig as an actor potentially because it can be all this work for all this time, but there are so many question marks at every stage of the process.
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That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.
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That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
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The actor already comes with emotions to the scene: fear, the fear of being in front of the camera. It is this fear that spurs the emotion of the scene. I too am afraid; I don't know exactly what I am searching for. On the set, we are all participating in this fear together.
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The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.
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The armoury of having any academic education does not necessarily set you up for being a good or better actor.
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