Quotes 9301 till 9320 of 25144.
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If you're a producer, you always spend too much money because you want that shot - and you're willing to spend a bundle to get it.
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If you're a single man and you happen to be in this business, you're deemed a player. But I don't see myself as a ladies' man.
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If you're a technology investor, and you decide that you're also going to be a healthcare investor or a green-tech investor, that doesn't usually work out that well. There are reasons why people make their careers studying these things and becoming experts.
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If you're a writer, you just keep following the path - keep going deeper and deeper into the things that interest you.
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If you're an adult and you choose not to believe in science, fine, but please don't prevent your children from learning about it and letting them draw their own conclusions.
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If you're doing something like 'Arcadia' by Tom Stoppard, which has been done millions and millions of times, and it's been played some unbelievably well-respected actors, there's a lot more pressure there. But I try not to think about all the other people who have done it before me. You've got to try and be original.
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If you're going to be part of a nationally televised show that airs live and do sketches that haven't even been brainstormed a week earlier, you really can't be afraid to fail.
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If you're going to help somebody, sneak in, sneak out, do what you can. I just sneak along and do my thing and meet wonderful people, some people I've never met, new friends.
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If you're going to play football, why not be the best at it that you can be and fulfill your potential?
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If you're going to play hockey now, you have to be able to play. If you have the ability to fight and play, you're an unbelievable commodity. But if you can only fight, there might be six of those guys left in the league, and I can guarantee they're going fast.
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If you're going to run a public company, be absolutely certain of what the parameters are, what the clarity is, that you can explain it to yourselves and explain it externally.
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If you're going to write, don't pretend to write down. It's going to be the best you can do, and it's the fact that it's the best you can do that kills you.
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If you're hanging around with nothing to do and the zoo is closed, come over to the Senate. You'll get the same kind of feeling and you won't have to pay.
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If you're I politics and you can't tell when you walk into a room who's for you and who's against you, then you're in the wrong line of work.
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If you're in a car crash, you're mostly involved in trying to not go off the bridge, and later on you say, 'Oh my God!'
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If you're into architecture and you're from the West, everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you're led there. You can't escape it.
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If you're just a nice guy - you don't let people walk on you - but if you're just a nice guy and treat people right, good things happen.
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If you're not careful, the newspapers will have you hating the people who are being oppressed, and loving the people who are doing the oppressing.
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If you're overfishing at the top of the food chain, and acidifying the ocean at the bottom, you're creating a squeeze that could conceivably collapse the whole system.
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If you're playing a good guy, you show some darkness. If you're playing a dark guy, you show something different, like humor, that will mix it up and hopefully surpass the audience's expectations. What I'm battling all the time is complacency in the audience. I try to bring a little mystery to what might happen because that engages people more.
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