Quotes 21 till 38 of 38.
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In retrospect, all these exercises in self-gratification seem pure fantasy, what Pascal called, licking the earth.
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It was strange being an adolescent fantasy for other people. I was so cut off from the real world. I went straight into the movies as a teenybopper, and had a very protracted adolescence myself. I was divorced when I was 20, but I was an adolescent until I was 26. Then I was in Europe, living with this fellow and he kind of helped me out. Told me some things about myself.
Interview by Roger Ebert, December 4, 1972 -
Literature for me isn't a workaday job, but something which involves desires, dreams and fantasy.
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Most people are living lives of sort of survival. And constantly posing an existential crisis, either through fantasy or oblivion, really has been pretty much explored in rock and roll. At least in the western version of rock n' roll.
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Oh, I'm nerdy about science fiction and fantasy and graphic novels and reading, and I'm nerdy about board games. My favorite board game is a board game I'm working on right now. It's a game of Napoleonic era naval warfare, and it's going to be fun.
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Religion is doing; a man does not merely think his religion or feel it, he ''lives'' his religion as much as he is able, otherwise it is not religion but fantasy or philosophy.
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The bigger the real-life problems, the greater the tendency for the discipline to retreat into a reassuring fantasy-land of abstract theory and technical manipulation.
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The idea of it becomes a little freaky if you're dealing with someone who has trouble differentiating between fantasy and reality, but that's a concern no matter what kind of movie you're dealing with.
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The street's on fire in a real death waltz
Between what's flesh and what's fantasy
Man, the poets down here don't write nothin' at all,
They just stand back and let it all beBorn To Run (1975) Jungleland -
The very first job I did, a Barbie commercial when I was eight or nine, that was like 'Oh my God.' Because when you're watching things on TV, you think it's like a fantasy. But then to actually do it and then see yourself, it's like 'Oh my God.'
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There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration.
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We live under continual threat of two equally fearful, but seemingly opposed, destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.
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When a fantasy turns you on, you're obligated to God and nature to start doing it right away.
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When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive thinking.
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When I write my books, actually, I'm known for very logical rule-based magic systems. I write with one foot in fantasy and one foot in science fiction.
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When you're portraying someone that really existed, there has to be a time as an actress where you leave reality and move into the fantasy world so you can do your job of creating a character.
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Why do I find the fantasy - husband, family, kids - exhausting instead of alluring? Is there something wrong with me? Do I have a life?
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Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.
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