Quotes 1181 till 1200 of 25414.
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The full bibliography of pamphlets relating to the Anglo-American struggle published in the colonies through the year 1776 contains not a dozen or so items but over four hundred;
The Ideological Origins of the American Revolution FOREWORD, p. v -
''Now'' is the operative word. Everything you put in your way is just a method of putting off the hour when you could actually be doing your dream. You don't need endless time and perfect conditions. Do it now. Do it today. Do it for twenty minutes and watch your heart start beating.
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''One can't believe impossible things. I dare say you haven't had much practice,'' said the Queen. ''When I was your age, I always did it for half-an-hour a day. Why, sometimes I've believed as many as six impossible things before breakfast.''
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''Revolution'' today is taken for granted, and in consequence becomes rather dull.
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''Sex'' is as important as eating or drinking and we ought to allow the one appetite to be satisfied with as little restraint or false modesty as the other.
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''Where do architects and designers get their ideas?'' The answer, of course, is mainly from other architects and designers, so is it mere casuistry to distinguish between tradition and plagiarism?
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''Work and wait'', ''work and wait'' is what God says to us in creation.
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''Write that down,'' the King said to the jury, and the jury eagerly wrote down all three dates on their slates, and then added them up, and reduced the answer to shillings and pence.
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''You gave me the key of your heart, my love; then why did you make me knock?'' Oh that was yesterday, saints above! And last night - I changed the lock!
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'50/50' is a comedy. I shouldn't say it's a buddy comedy because it's not farcical, and it's based on a true story, but it's viewing that experience through a very truthful lens of humour.
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'A Storm of Swords' is a massive volume, and it seemed like it would be shortchanging it to try to cram it into ten episodes.
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'A Streetcar Named Desire' is one of the best, if not the best, modern American plays. It deals with family dynamics, mental health, PTSD, war, and love. It's hard to beat.
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'Anthony and the Magic Picture Frame' tells it like it really was in America's early space program - the adventure, the risks, and the rewards.
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'As a genereal rule you shouldn't expect too much from people darling,' and then I kiss her on the cheek.
Glamorama (1998) -
'Bagdad Cafe' was a film that changed many, many people's lives... how they saw themselves and how they looked at their life situation. I thought I made a little movie. All the mail that I get is about how it changed lives, and that's wonderful.
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'Benedict' means 'blessed.' My parents liked the sound of the name and felt slightly blessed because they'd been trying for a child for a very long time.
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'Bonnie and Clyde,' while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.
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'Dr Who' is an extraordinary association that I have because I didn't realise until I was in the show quite how worldwide it is and how popular and how dear it is to so many people's hearts.
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