Quotes 461 till 480 of 511.
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When he first started - Jim Henson, who created Bid Bird and Oscar - he said Big Bird was just a big, goofy guy. And it was - a script came along and I said, 'I think Big Bird would be much more useful to the show if he were a child learning all the things we were teaching in the show.' And so he didn't know the alphabet, even, for instance.
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When I do a T.V. show, I hear all these artists in their dressing rooms doing scales - I've never done it because I've never had voice training. What I do to prepare is get in my car and sing along to the radio for about 20 minutes.
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When I do an hour-and-a-half show, if I don't improvise 20 minutes worth of new material each night, I feel I've let myself down.
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When I drove up on the set one day, and they'd put up a sign that says 'The Bill Engvall Show,' I stood there for 20 minutes just staring at it. The director, James Widdoes, came up and said, 'What are you doing?' And I said, 'Look at this! There's my name on a stage door in Hollywood!'
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When I go into schools to speak, I am not giving a speech - it's really a one-man show. I call it 'didactic standup.'
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When I got started, I was a sideshow. At my first Consumer Electronics Show, in 1977 in Chicago, people came from all over the floor to see the 'lady programmer.' They had me dressed in a turquoise lab coat with my name embroidered on the pocket.
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When I had my television show, 'Barbara Mandrell and the Mandrell Sisters,' it was my high hope to convert people to country music. It is wonderful and contagious!
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When I hit New York in 1972, I thought I was a sprinter. I thought that I would star in a Broadway show and do a movie and win an Oscar by the time I was 25. It turned out that I'm a long distance runner.
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When I read both pilots for 'Breaking Bad' and the 'Michael J. Fox Show,' I turned to my husband in real life, and I'm like, 'That is an amazing script.'
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When I was a child, life felt so slow because all I wanted to do was get into show business. Each day seemed like a year, but when you get older, years pass like minutes. I wish there was a tape recorder where we could just slow our lives down.
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When one shows up in jeans and a T-shirt, I strongly feel that the audience reacts in a very different way than when you show up in a sport coat and a tie.
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When people come and see my show, I try to infuse into them that they can walk away feeling like their lives are a victory.
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When writers meet they are truculent, indifferent, or over-polite. Then comes the inevitable moment. A shows B that he has read something of B s. Will B show A? If not, then A hates B, if yes, then all is well. The only other way for writers to meet is to share a quick pee over a common lamp-post.
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When you are young you take the kindness people show you as your right.
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When you talk about war on poverty it doesn't mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
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When you're lucky enough to get paid a nice chunk of change to write a movie or a TV show, you have no right to complain, really. I guess it's more of an appeal to the powers that be that the less they interfere, the more likely, actually, they are to get something that works, I think.
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When you're shooting a TV show, there's not a lot of time to build character.
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Where is the man who has the strength to be true, and to show himself as he is?
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Whether we look at capitalism, taxes, business, or government, the data show a clear and consistent pattern: 70 percent of Americans support the free enterprise system and are unsupportive of big government.
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Who so taketh in hand to frame any state or government ought to presuppose that all men are evil, and at occasions will show themselves so to be.
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