Quotes 121 till 140 of 511.
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I felt, selfishly, that if there was going to be a TV show about 'Hannibal Lecter' whether I was going to be involved or not, I'd rather be involved. I wanted to make sure it was something I wanted to watch.
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I give myself the kindness and forgiveness I would show others.
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I had rather see the portrait of a dog that I know, than all the allegorical paintings they can show me in the world.
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I hate the term 'arm candy.' But, look, a woman's figure is a beautiful thing, and if she has shapely legs, then she should show them off, because men love to see that. Not just heterosexual men - gay men like to see a woman in her beauty and the shape of her.
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I hate when the major event of a show I watch is spoiled for me. And I'm wracked with guilt when/if I spoil something for someone else.
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I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.
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I have one rave 'New York Times' review framed next to a flop 'Los Angeles Times' review. And it's for the same show. These people watched the same show. That's what happens. They love it, they hate it.
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I have the distinction of being the only member of the Allman Brothers who has never missed a single show. I have played every single show the Allman Brothers have ever played.
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I know in Britain with 'Doctor Who' all the classic actors, and the people who you'd really want to, work on the show. I like that the fact that 'Torchwood' has actors that want to be involved from the stage. It has raised our game, and I'm just happy for good actors who want to be in sci-fi shows who love the genre.
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I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
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I love actors, and I love the casting process. It's funny, like, some writers don't like actors because, I think, they are the faces of the show, and so you feel sort of secondary, but I love actors because they elevate the material; they make it better.
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I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
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I might show facts as plain as day: but, since your eyes are blind, you'd say, ''Where? What?'' and turn away.
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I must tell you, I haven't done the drug problem that is faced by cops and people on the border. It's a hard show to do, but I think it's going to say a lot about drugs and the problems related to them. I just hope people can watch it, it's a pretty strong show
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I retire to make way for an abler man. In my four years as attorney general I have aged about ten years, but when I have get back to the practice of law, I hope to show those lawyers that I still have some vitality left.
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I started trying to be a writer and failed for years. I tried novels, short stories, sitcoms, movies, plays, anything. And then, to support myself, I had millions of jobs on the fringes of show business.
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I therefore claim to show, not how men think in myths, but how myths operate in men's minds without their being aware of the fact.
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I think I was always subconsciously driven by an attempt to restate that faith and to show where it was properly grounded, how it grew out of what a great many young men on both sides felt and believed and were brave enough to do.
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I think most of the people, once you see a Kiss show, you kinda get spoiled because I don't think there's anybody out there that's doing a bigger or a better show than us.
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