Quotes 1221 till 1240 of 2255.
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Nothing is wonderful when you get used to it.
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Now here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!
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Now I say I'm a diarist with an explanation I'll get back to you on. Someday I may try and write in memoir form.
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Now I'm fortunate to have a good band in CA, and play many solo gigs as well. My point is that I stopped playing in bands and played solo for four years, to get back into the groove and pulse of writing and singing and who I am on stage.
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Now there is a new group every week; it seems like everybody and anybody can get into the charts.
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Now you can begin to see quite transparently that nothing purchased life is one of argument, If other people don't agree with you you're in big trouble. How far would you get in your work if nobody agreed that what you were doing had value?
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Now, you mummy's darlings, get a rift on them boots. Definitely shine em, my little curly-headed lambs, for in our mob, war or no war, you die with clean boots on.
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Number one: Don't frisk me. Don't hurt me physically. Don't get anywhere near my neck. And don't call me Regis. [Advice to his guests]
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Obviously any group that has to have funding also needs to get attention to their issues.
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Obviously the Senate is a federal office, but to get California's economy moving again we need to do some things in the federal arena.
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Obviously, if the commander makes certain decisions that the reporter thinks is inhibiting his right to report a legitimate story, he has to appeal to the commander's boss to get that changed.
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Of course, the world is full of problems. But on the other hand it's important to get the sense... are we generally moving in the right direction or the wrong direction?
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Of the mental hazards, being scared is the worst. When you get scared, you get tense.
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Often, the less there is to justify a traditional custom, the harder it is to get rid of it.
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On radio and television, magazines and the movies, you can't tell what you're going to get. When you look at the comic page, you can usually depend on something acceptable by the entire family.
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On stage, you rehearse for five weeks, and it goes out to 300 people. In 'EastEnders,' you get ten minutes to rehearse, and seven million people watch it!
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On telly, there's been a move towards entertainment - with some very high-powered, fast-moving dramas. Then we have the Internet, where we get our information but it's all in bite-size pieces. I think the documentary, as a form, actually speaks to what's missing.
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Once I get on a puzzle, I can't get off.
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Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
(2006)
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