Quotes 6401 till 6420 of 20393.
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I think what's exciting about playing a villain - particularly a villain who's totally unapologetic about their evil intentions - is that it's not anything remotely like what you get to do in real life. You're never allowed to be evil and not feel bad about it afterwards, let alone be evil, period.
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I think when you get out of the big cities people get really freaked out when they see someone who is on TV, because they're not used to that.
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I think white gay people feel cheated because they were born, in principle, in a society in which they were supposed to be safe. The anomaly of their sexuality puts them in danger, unexpectedly.
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I think writers need windows on a view to remind them that a whole world is out there, not the minutiae with which they might be dealing on a close scale.
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I think writers tend to be experience junkies, and I think they also tend to want to be on the outside looking in.
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I think you need to understand games to write them. There's a learning curve, just like there's a learning curve in anything. It's not precisely the same as film or television, but you're using the same muscles.
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I think, then, that man, after having satisfied his first longing for facts, wanted something fuller - some grouping, some adaptation to his capacity and experience, of the links of this vast chain of events which his sight could not take in.
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I thought I was benefiting the Indians as well as the government, by taking them all over the United States, and giving them a correct idea of the customs, life, etc., of the pale faces, so that when they returned to their people they could make known all they had seen.
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I thought it was a wonderfully conceptual act actually, to fire a replica pistol at a figurehead - the guy could have been working for Andy Warhol!
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I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult. But the age of chivalry is gone. That of sophists, economists and calculators has succeeded; and the glory of Europe is gone forever.
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I throw myself down in my chamber, and I call in, and invite God, and his Angels thither, and when they are there, I neglect God and his Angels, for the noise of a fly, for the rattling of a coach, for the whining of a door.
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I told you, sir, they were red-hot with drinking; so full of valor that they smote the air, for breathing in their faces, beat the ground for kissing of their feet.
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I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.
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I tried reading Hilbert. Only his papers published in mathematical periodicals were available at the time. Anybody who has tried those knows they are very hard reading.
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I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!
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I try not to obsess about recording. I'm definitely the one who will leave all the mistakes-to have that balance between what's undone and done. I try to move on to the next thing. I have friends who have been working on the same song for five, six years. They just won't let the songs go.
Rolling Stone magazine, 1996 -
I try to extract something positive from every situation, even if it's just learning not to make the same mistake twice.
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I try to go with the flow and have faith that everything is going to work out.
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I try to keep a low profile in general. Not with my art, but just as a person.
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I try to teach my heart not to want things it can't have.
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