Quotes 41 till 58 of 58.
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The horror of being caged has lost its thrill.
My Life as a Writer (2014) -
The horror of the Twentieth Century was the size of each new event, and the paucity of its reverberation.
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The horror of wedlock, the most appalling, the most loathsome of all the bonds humankind has devised for its own discomfort and degradation.
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The latest horror to hit the U.S. looks to have been caused by people of Middle Eastern origin, bearing Muslim names. Again, shame. This fuels more hatred for a religion and a people who have nothing to do with these events.
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The whole idea of genre and categorising films is a critic's construct. For me, I just try and make stories and see where they go, but there's nothing wrong with horror; there's nothing wrong with romantic comedies.
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There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling.
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There was no corn - in the wide market-place all loathliest things, even human flesh, was sold; They weighed it in small scales - and many a face was fixed in eager horror then; his gold the miser brought; the tender maid, grown bold through hunger, bared her scorned charms in vain.
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This horror of pain is a rather low instinct and... if I think of human beings I've known and of my own life, such as it is, I can't recall any case of pain which didn't, on the whole, enrich life.
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This man, although he appeared so humble and embarrassed in his air and manners, and passed so unheeded, had inspired me with such a feeling of horror by the unearthly paleness of his countenance, from which I could not avert my eyes, that I was unable longer to endure it.
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We have only to believe. And the more threatening and irreducible reality appears, the more firmly and desperately we must believe. Then, little by little, we shall see the universal horror unbend, and then smile upon us, and then take us in its more than human arms.
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What was always interesting about Thomas Harris' books is they were a wonderful hybridization of a crime thriller and a horror movie.
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When you hear in the tape recordings Nixon's own voice saying, We have to stonewall, We have to lie to the Grand Jury, We have to pay burglars a million dollars, it's all too clear the horror of what went on.
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Where there is no imagination there is no horror.
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You can't make people believe in you if you play a horror part with your tongue in your cheek.
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You gain strength, courage, and confidence by each experience in which you really stop to look fear in the face. You are able to say to yourself, “I have lived through this horror. I can take the next thing that comes along.” You must do the thing you think you cannot do.
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You're going through the horror of it, you're going through the isolation of it but you're being empowered by reminding yourself that you're connected to everybody else.
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I have a horror of people who speak about the beautiful. What is the beautiful? One must speak of problems in painting!
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Words have no power to impress the mind without the exquisite horror of their reality.
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