Quotes 221 till 240 of 5065.
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Without passion man is a mere latent force and possibility, like the flint which awaits the shock of the iron before it can give forth its spark.
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Words are easy, like the wind; Faithful friends are hard to find.
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Words can have no single fixed meaning. Like wayward electrons, they can spin away from their initial orbit and enter a wider magnetic field. No one owns them or has a proprietary right to dictate how they will be used.
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You don't have to teach people how to be human. You have to teach them how to stop being inhuman.
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All the people like us are we, And everyone else is They.
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Asking a working writer what he thinks about critics is like asking a lamppost how it feels about dogs.
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"My country, right or wrong," is a thing that no patriot would think of saying except in a desperate case. It is like saying, "My mother, drunk or sober."
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''My country, right or wrong'' is a thing that no patriot would think of saying except in a desperate case. It is like saying ''My mother, drunk or sober.''
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''When the sun rises, do you not see a round disc of fire somewhat like a guinea?'' O no, no, I see an innumerable company of the heavenly host crying ''Holy, Holy, Holy is the Lord God Almighty.''
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'A Long Way Gone' says something about human nature that we try, most of the time, to ignore.
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'A Storm of Swords' is a massive volume, and it seemed like it would be shortchanging it to try to cram it into ten episodes.
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'Anthony and the Magic Picture Frame' tells it like it really was in America's early space program - the adventure, the risks, and the rewards.
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'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
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'Enlightened Rogues' we made like the earlier ones: whatever tune came up, whatever direction it went in, that's the way it went. That's what we'll always do. I think if we ever stop doin' that, we ought to quit.
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'Frankenstein' was all about the idea that, through electricity and the destruction of night, man creating light and darkness, we took on god-like powers and then abused them like gods, and we are only men. That's a story about man making a man in his own image. The inversion of natural order.
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'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morality into radical deep green environmentalism.
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'Pain' is more indicative of what I like to do. I'm lyric-conscious. I like to tell stories, give advice. Instead of writing a 'Dear Abby' column, I do it on records.
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'Somebody That I Used to Know' by Goyte has an odd, '80s vibe to it, but that does not mean that I did not like it. Quite the opposite actually. The song is different, and slowly lured me in. The video is just as strange, but definitely enjoyable.
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'The Food Network' was just starting in New York, and I was getting lots of attention from Mesa Grill. They had no money, so if you couldn't get there by subway, you couldn't be on. It wasn't like TV was something I really wanted to do - but I knew it would be great publicity for my restaurants.
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'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
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