Quotes 1201 till 1220 of 6005.
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For me, a hearty 'belly laugh' is one of the beautiful sounds in the world.
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For me, the card catalog has been a companion all my working life. To leave it is like leaving the house one was brought up in.
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For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.
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For me, writing time has always been precious, something I wait for and am eager for and make the best use of. That's probably why I get up so early and have writing time in the quiet dawn hours, when no one needs me.
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For mortal men there is but one hell, and that is the folly and wickedness and spite of his fellows; but once his life is over, there's an end to it: his annihilation is final and entire, of him nothing survives.
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For most of my life, one of the persons most baffled by my own work was myself.
Lecture at the University of Maryland (March 2005) -
For my own part, I would rather be in company with a dead man than with an absent one; for if the dead man gives me no pleasure, at least he shows me no contempt; whereas the absent one, silently indeed, but very plainly, tells me that he does not think me worth his attention.
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For my part, I confess I seldom listen to the players: one has so much to do, in looking about and finding out one's acquaintance, that, really, one has no time to mind the stage. One merely comes to meet one's friends, and show that one's alive.
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For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation.
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For one man is my world of all the men this wide world holds; O love, my world is you.
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For one mother, joy is the quiet pleasure found in gently rubbing shampoo into her young child's hair. For another woman it's taking a long walk alone, while for yet another it's reviling in a much - anticipated vacation.
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For one thing, I teach my students what my teacher for twenty years, Paul Gavert, told me, 'The voice follows... the voice follows everything about you... who you are.'
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For over two billion years, through the apparent fancy of her endless differentiations and metamorphosis the Cell, as regards its basic physiological mechanisms, has remained one and the same. It is life itself, and our true and distant ancestor.
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For sleep, one needs endless depths of blackness to sink into; daylight is too shallow, it will not cover one.
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For some reason if we hear 100 praises and one criticism, we focus on that one hurtful thing.
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For somehow this disease inheres in tyranny, never to trust one's friends.
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For the first time in the history of mankind, one generation literally has the power to destroy the past, the present and the future, the power to bring time to an end.
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For the sin they do by two and two they must pay for one by one.
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For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.
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