Quotes 1 till 20 of 23.
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A few of these interviews have gone slightly awry, because every now and again there has been the odd conflict of interest between interviews because of the Iron Maiden record, and I am a bit long-winded.
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By late 1953, going to New York on vacation, I had lined up several Time Inc. interviews - and what they did was give me a lifelong appreciation of the importance of luck in getting a job.
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Death will be a great relief. No more interviews.
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For business, government, and education, the lesson is clear: People ought to be relying far more on objective information and far less on interviews. They might even want to think about scaling back or cancelling interviews altogether. They'll save a lot of time - and make better decisions.
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I don't do interviews at all when I'm on tour, so this time, on a day off, I'll do that kind of thing a little bit. I don't do big promotion schedules, not when I'm touring.
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I knew nothing about film at all. I suppose the biggest surprise is all these things. In the theatre we sort of do, I might do two or three key interviews and that would be it.
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I love getting on You Tube to look at the old comics. I am in my element seeing guys like Jack Benny and Phil Silvers give interviews.
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I love that I can talk to my fans through Twitter, to cut out the middle man. Because I've done interviews where my words have gotten twisted, so it's nice to be able to have things coming straight from me.
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I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.
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Interviewers actively fool themselves, finding ways to learn from interviews even if there's actually nothing there to learn from.
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It's an odd experience reading interviews with yourself. Interesting, though. Of course, you know that the journalist will have edited, rephrased or even rewritten what you actually said, but you can't help feeling that there's a special kind of truth in the way someone else paints you, however subjective they might be.
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MTV was such a great training for me. I did live interviews with everyone from Michael Jackson to Madonna.
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Much is written about the Batman because he is publicly exposed in print. Very little is known personally about his creator, because I haven't given out that many interviews.
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My favorite thing about being famous... it's not really as big of a deal as everybody says it is. Being on the road is tough, doing interviews, and all the stuff. It's still pretty tough.
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My opposition [To Interviews] lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language.
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One of the things that's clear to me from interviews that I've read is that the more popular successful jazz musicians had audiences above and beyond the music community.
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Several of the actors I've had the good fortune of working with stand out in my mind as 'ultimate'. I guess the obvious would be Tom Hanks, because he really is as fun and as genuine as he comes across in his films and interviews.
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Some are pre-taped interviews because maybe we can't get that person live or maybe we're not sure it's going to work out right so we tape it an hour in advance.
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Something my mom and I have always said to each other is: 'We're not here for interviews. We're not here to get your picture taken. We're here to make a difference, and this is our opportunity to.'
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That's the problem with news interviews, you work your tail off to get prominent figures in the news on the radio, but once they've been on, the event passes, the urgency, the issues you talked about evaporate.
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