Quotes 841 till 860 of 2727.
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I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
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I want to present interesting stories that don't qualify themselves just by virtue of their ethnographic type.
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I want to raise every voice
At least I got to try
Every time I think about it
Water rises to my eyes
Situation desperate
Echoes of the victims cry
If I had a rocket launcher
If I had a rocket launcher
If I had a rocket launcher
Some son of a bitch would dieStealing Fire (1984) If I Had a Rocket Launcher, Track 8 -
I want to walk into a room, be it a hospital for the dying or a hospital for the sick children, and feel that I am needed. I want to do, not just to be.
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I want to warn potential victims. Many of them are women, and many of them are battered women. It's a cause for me. When I look back, though, so many of the books I've written are about wives who just couldn't get away.
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I want to work for a company that contributes to and is part of the community. I want something not just to invest in. I want something to believe in.
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I was 17 and just learning what high fidelity was, what good sound was, and learning the mechanics of tape machines. It was a real education, going right from the consumer end to the record factory.
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I was a caddy once and I lost the golfer's clubs. Plus I don't know how to golf, so I was the worst caddy ever. Then I was a mortgage brokers assistant, so that was just carrying around a lot of files - pretty meaningless, mind-numbing work.
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I was at college doing performing arts, and just spending all my time mucking about, and the lecturers thought I would be pretty good at stand-up, so I gave it a whirl.
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I was brought up to believe that the only thing worth doing was to add to the sum of accurate information in the world.
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I was digging with a fork out of the kitchen drawer sewing tictacs, I didn't know what the hell I was doing. After a bit I got bored and just started burying cheap spoons to baffle the archaeologists of the future
Dandelion Mind -
I was motivated by just thinking that if you had all this external success that everyone would love you and everything would be peaceful and wonderful.
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I was riding my mountain bike in Colorado, and I met a dog who reminded me so much of my very first dog in the way she interacted with me, looked at me, and wagged her tail that I rode away convinced I'd just very possibly met the reincarnated version of my long lost friend.
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I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewhere where things could happen and the subject wasn't just looking back at you.
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I was standing in the schoolyard waiting for a child when another mother came up to me. Have you found work yet? she asked. Or are you still just writing?
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I was studying to be an architect, I wasn't plotting to join the movies. Films were just another career option. I took acting up with the same schoolgirl enthusiasm I had for examinations. Acting is a job and I take it very seriously.
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I was thinking about doing another film at the same time, which was the sequel to Basic Instinct and I just had a feeling that wasn't going to happen. You know, I just kind of read the writing on the wall.
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I was thought to be 'stuck up.' I wasn't. I was just sure of myself. This is and always has been an unforgivable quality to the unsure.
The lonely life: an autobiography -
I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
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I wasn't satisfied just to earn a good living. I was looking to make a statement.
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