Quotes 2521 till 2540 of 8447.
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I can't forgive my friends for dying; I don't find these vanishing acts of theirs at all amusing.
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I can't play bridge. I don't play tennis. All those things that people learn, and I admire, there hasn't seemed time for. But what there is time for is looking out the window.
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I can't tell the difference between my work life and my private life - it's all the same to me.
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I cannot be a materialist - but Oh, how is it possible that a God who speaks to all hearts can let Belgravia go laughing to a vicious luxury, and Whitechapel cursing to a filthy debauchery - such suffering, such dreadful suffering - and shall the short years of Christ's mission atone for it all?
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I cannot explain it; but when difficulties arise, I am not perplexed or doubtful. I know how to meet them.
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I cannot help fearing that men may reach a point where they look on every new theory as a danger, every innovation as a toilsome trouble, every social advance as a first step toward revolution, and that they may absolutely refuse to move at all.
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I consider nature a vast chemical laboratory in which all kinds of composition and decompositions are formed.
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I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.
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I could I trust starve like a gentleman. It's listed as part of the poetic training, you know.
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I couldn't enjoy 'A Dance With Dragons,' unfortunately. Of course, I enjoyed it, but it was the first of the books I read as a writer on 'Game of Thrones,' so all I could do is think, 'We're going to have to shift that,' 'We won't be able to afford that,' or 'That's a great scene.'
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I dare say that if I knew him I should not be his friend at all. It is a very dangerous thing to know one's friends.
The remarkable Rocket -
I dare to do all that may become a man: who dares do more is none.
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I decided he'd changed so much that a whole new book was required and that book actually I can say so was the first to say that the marriage was in trouble and the Prince didn't like at all and my book was being serialized in the Sunday Times over five weeks.
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I decided once and for all that I was going to make it or die.
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I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.
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I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
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I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy.
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I didn't have any role models. I really thought I was doomed to this loveless, lonely life. I didn't know any gay people until I began doing theater.
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I didn't have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let's say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!
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I didn't know I was a slave until I found out I couldn't do the things I wanted.
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