Quotes 1241 till 1260 of 1291.
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Yes, during the pilot, they gave me a little toy from the shop. It's like three little moose in a boat, paddling. It's very cute. And I got to keep some of the clothes.
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Yes, you need a passport to prove to the world that you exist. The people at passport control, they cannot look at you and see you are a person. No! They have to look at a little photograph of you. Then they believe you exist.
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You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
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You are a little soul carrying around a corpse.
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You can be a little ungrammatical if you come from the right part of the country.
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You can do very little with faith, but you can do nothing without it.
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You can hype a questionable product for a little while, but you'll never build an enduring business.
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You can learn a little bit from everybody, so you should be able to work a bit with everybody.
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You cannot push any one up a ladder unless he be willing to climb a little himself.
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You don't get to cut that chain of evidence and start over. You're always going to be pursued by your data shadow, which is forming from thousands and thousands of little leaks and tributaries of information.
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You feel the Olympics and you get chills and nervous and a little scared. You go through the emotional roller coaster at what it's like to compete at the Olympic level and you let that run through your whole body.
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You give but little when you give of your possessions. It is when you give of yourself that you truly give.
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You have actors who begin at a certain young age and there's very little change in their technique and the depth of their performances; they're the same 30 years later.
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You have no idea what a poor opinion I have of myself; and how little I deserve it.
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You hear all the time about European players playing the game. These players that come over at 17, 18 and 19, they just don't all of a sudden become skilled. From the time they were little fellas, they learned the fundamentals of the game. Let them create.
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You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.
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You know sit with your arm around a little kid and read. It not only teaches them to read but it keeps the family strong.
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You know, one, two, three, four, five years go by and then Marcos gets a little boring.
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You learn you can do your best even when it's hard, even when you're tired and maybe hurting a little bit. It feels good to show some courage.
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You live in this shadow that you're going to burn in Hell until you're saved. And I still worry about it a little. I don't believe in Heaven, but I do still fear Hell.
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