Quotes 801 till 820 of 1254.
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The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware.
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The average actor might only be able to book six to eight guest star jobs a year - that would be high. So when you start doing the math, you can't live on that in Los Angeles.
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The basic thing nobody asks is why do people take drugs of any sort? Why do we have these accessories to normal living to live? I mean, is there something wrong with society that's making us so pressurized, that we cannot live without guarding ourselves against it?
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The biggest adventure you can take is to live the life of your dreams.
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The bold may not live long, but the timid never live at all.
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The challenge of modernity is to live without illusions and without becoming disillusioned.
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The changes in our life must come from the impossibility to live otherwise than according to the demands of our conscience not from our mental resolution to try a new form of life.
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The cheerful live longest in years, and afterwards in our regards. Cheerfulness is the off-shoot of goodness.
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The cities and mansions that people dream of are those in which they finally live.
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The courage we desire and prize is not the courage to die decently, but to live manfully.
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The darkest day, If you live till tomorrow will have past away.
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The difficulty with marriage is that we fall in love with a personality, but must live with a character.
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The distinctive character of a child is to always live in the tangible present.
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The drama's laws, the drama's patrons give, for we that live to please, must please to live.
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The dream was always running ahead of me. To catch up, to live for a moment in unison with it, that was the miracle.
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The experience and behavior that gets labeled schizophrenic is a special strategy that a person invents in order to live in an unlivable situation.
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The fact that life has no meaning is a reason to live - moreover, the only one.
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The family is the most basic unit of government. As the first community to which a person is attached and the first authority under which a person learns to live, the family establishes society's most basic values.
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The figure of the gunman in the window was inextricable from the victim and his history. This sustained Oswald in his cell. It gave him what he needed to live. The more time he spent in a cell, the stronger he would get. Everybody knew who he was now.
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The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live.
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