Quotes 2261 till 2280 of 2338.
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You see airbrushed images of me, but I know the person who's walking barefoot, dodging dog poo in the yard.
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You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eight, but no.
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You see Boris Becker, Mats Wilander, Nadal, Pete Sampras - they were all great when they were young. As a coach, you can see that type of talent at an early age.
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You see few people here in America who really care very much about living a Christian life in a democratic world.
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You see much more of your children once they leave home.
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You see persons and things not as they are but as you are.
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You see things as they are and you say, 'Why?' But I dream things that never were; and I say, 'Why not?'
Back To Methuselah (1921) -
You see, Africa makes a fool of our idea of justice. It makes a farce of our idea of equality. It mocks our pieties. It doubts our concern. It questions our commitment. Because there is no way we can look at what's happening in Africa, and if we're honest, conclude that it would ever be allowed to happen anywhere else.
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You see, another reason for nationalization was that private ownership meant fragmentation.
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You see, but you do not observe. The distinction is clear.
The Adventures of Sherlock Holmes (1892) -
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
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You see, idealism detached from action is just a dream. But idealism allied with pragmatism, with rolling up your sleeves and making the world bend a bit, is very exciting. It's very real. It's very strong.
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You see, in life, lots of people know what to do, but few people actually do what they know. Knowing is not enough! You must take action.
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You see, it's never the environment; it's never the events of our lives, but the meaning we attach to the events - how we interpret them - that shapes who we are today and who we'll become tomorrow.
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You see, you cannot draw lines and compartments, and refuse to budge beyond them, sometimes you have to use your failures as stepping stones to success.
Een wankel evenwicht (2010) 232 -
You should look straight at a film; that's the only way to see one. Film is not the art of scholars but of illiterates.
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You tend to compose things more in the middle of frame in 3-D than you would in a conventional frame. You can really see composition in 2-D but in 3-D your composition is much more complex. Everything has to be artificially enhanced. But you do gain something else with 3-D: you have a sense of space and heightened reality.
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You want to keep it in there because you feel like it's yours but to be able to see that sometimes some stuff needs to go and I think it's for the benefit of the film.
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You will find as you look back upon your life that the moments when you have truly lived are the moments when you have done things in the spirit of love.
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You will find men who want to be carried on the shoulders of others, who think that the world owes them a living. They don't seem to see that we must all lift together and pull together.
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