Quotes 161 till 180 of 374.
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In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.
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In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
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India, in particular, is looking to develop nuclear power for domestic, commercial use, and we should work with them. This is a good deal for both countries.
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Instead of looking at the past, I put myself ahead twenty years and try to look at what I need to do now in order to get there then.
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It feels very, very good to make a film freely, to work without having to wait years for script approval, without looking over your shoulder.
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It is a curious thought, but it is only when you see people looking ridiculous that you realize just how much you love them.
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It is at a fair that man can be drunk forever on liquor, love, or fights; at a fair that your front pocket can be picked by a trotting horse looking for sugar, and your hind pocket by a thief looking for his fortune.
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It is faith in something and enthusiasm for something that makes a life worth looking at.
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It is not these well-fed long-haired men that I fear, but the pale and the hungry-looking.
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It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave.
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It isn't the oceans which cut us off from the world - it's the American way of looking at things.
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It just kills me when people buy a dog when there are dogs in shelters. I still get emotional when I think of Karl sitting in that shelter. I wasn't looking. I didn't even think I had time for a dog, and then I met this little one and he needed help. It's been so amazing to see him transform into a happy and confident companion.
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It takes a lot of imagination to be a good photographer. You need less imagination to be a painter, because you can invent things. But in photography everything is so ordinary; it takes a lot of looking before you learn to see the ordinary.
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It used to bug me that I couldn't even afford to take my family for a proper holiday. I didn't have any professional knowledge, and getting a photographer's job in a magazine was out of the question. So, armed with a Pentax K1000, I started going to various maidans of Mumbai, looking for subjects.
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It'd be really nice to wake up looking like, I don't know, Jake Gyllenhaal and think, 'Let's try this on for a day and see how it feels.'
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It's a funny business. I kind of compare it to baseball. I'm always looking for a home run.
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It's crazy. I couldn't believe it going from 'EastEnders' to 'X-Men.' I was just looking to leave and get any job, so when I actually got the job, I was in dreamland.
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It's not really like you have a thing like a supermodel anymore. It's more of a word than a real existence. I think, also, looking at it from a designer's point of view, at one point maybe they felt the stars took too much attention away from the clothes.
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It's sad to know I'm done. But looking back, I've got a lot of great memories.
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It's the decomposition that gets me. You spend your whole life looking after your body. And then you rot away.
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