Quotes 1441 till 1460 of 3427.
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In dread fear of sentimentality, another thing true is not said-that for its staff the paper is a source of pride and, I do believe, an object of affection and-yes, love.
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In dream consciousness… we make things happen by wishing them, because we are not only the observer of what we experience but also the creator.
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In every difficult situation is potential value. Believe this, then begin looking for it.
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In faith there is enough light for those who want to believe and enough shadows to blind those who don't.
(2004) -
In general I was a good kid. It usually took a lot to make me mad. But once I reached the boiling point, I lost all rational control. Totally without thinking, when my anger was aroused, I grabbed the nearest brick, rock, or stick to bash someone. It was as if I had no conscious will in the matter.
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In great countries, children are always trying to remain children, and the parents want to make them into adults. In vile countries, the children are always wanting to be adults and the parents want to keep them children.
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In Iranian cinema, all the lying takes place before making the film. In order to be able to make the film, you have to lie.
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In Jamaica High School in New York, my coach was Larry Ellis, and he said I could probably make the Olympic team. He gave me something to shoot for.
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In Japan, you can learn how to make a bunch of flowers. This is an art. Tea ceremony, it's an art.
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In life, the first thing you must do is decide what you really want. Weigh the costs and the results. Are the results worthy of the costs? Then make up your mind completely and go after your goal with all your might.
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In Modernism, reality used to validate media. In Postmodernism, the media validate reality. If you don't believe this, just think how many times you've described some real event as being 'just like a movie.'
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In most companies people make a specific contribution to the company in their function. But it is not expressed in terms of profit, only in terms of performing their function better.
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In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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In movies we tend make things black and white: you're either this, or you're that.
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In my conscience I believe the baggage loves me, for she never speaks well of me herself, nor suffers any body else to rail at me.
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In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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In my view, there is nothing more vicious and outrageous than the abuse, exploitation and harm of the most vulnerable members of our society, and I firmly believe that our nation's laws and resources need to reflect the seriousness of these terrible crimes.
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In N.Y.C., I auditioned for mostly 'quirky friend' roles. Since casting directors in L.A. lacked a preconceived notion of me, I was able to reinvent my type a bit, which was essential in booking the role of Amanda on 'Ugly Betty.' I don't believe I would have auditioned for that role in N.Y.
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In order to be a realist you must believe in miracles.
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In order to be realist you must believe in miracles.
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