Quotes 941 till 960 of 2435.
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In Beverly Hills... they don't throw their garbage away. They make it into television shows.
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In dream consciousness… we make things happen by wishing them, because we are not only the observer of what we experience but also the creator.
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In general I was a good kid. It usually took a lot to make me mad. But once I reached the boiling point, I lost all rational control. Totally without thinking, when my anger was aroused, I grabbed the nearest brick, rock, or stick to bash someone. It was as if I had no conscious will in the matter.
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In great countries, children are always trying to remain children, and the parents want to make them into adults. In vile countries, the children are always wanting to be adults and the parents want to keep them children.
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In Iranian cinema, all the lying takes place before making the film. In order to be able to make the film, you have to lie.
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In Jamaica High School in New York, my coach was Larry Ellis, and he said I could probably make the Olympic team. He gave me something to shoot for.
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In Japan, you can learn how to make a bunch of flowers. This is an art. Tea ceremony, it's an art.
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In life, the first thing you must do is decide what you really want. Weigh the costs and the results. Are the results worthy of the costs? Then make up your mind completely and go after your goal with all your might.
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In most companies people make a specific contribution to the company in their function. But it is not expressed in terms of profit, only in terms of performing their function better.
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In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
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In movies we tend make things black and white: you're either this, or you're that.
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In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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In order to make a choice, you need the power to see there is one.
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In order to win in this league, you have to have a quarterback who can make all the throws, who makes great decisions, somebody who can get you out of bad situations, that just gives you a chance.
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In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four.
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In psychology and behavioral economics, people have shown that if you just describe options in a certain way, or make some features of a situation salient, you can get people to do and even see what you want. You don't have to be a Jedi to manipulate people's attention.
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In reality, I don't see myself as a man hunter. In fact, when it comes to love, I am rarely the one to make the first move.
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In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool. On paper, though, it's all stripped back. The musical idea is the one that wins.
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In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
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In the best possible scenario, whenever you get notes from people, they're good notes, and they see things that you wouldn't have seen otherwise, and they make you a better writer.
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