Quotes 321 till 340 of 553.
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Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it ''creative observation.'' Creative viewing.
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Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
Art-as-art: The Selected Writings of Ad Reinhardt -
Nowadays, I could not care less about making other people like me. I'm a good person, I don't need to do that anymore.
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Objectives are not fate; they are direction. They are not commands; they are commitments. They do not determine the future; they are means to mobilize the resources and energies of the business for the making of the future.
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Of course, bankers were always interested in making money. But when bankers had clients, they bore some responsibility for the clients' welfare.
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One does afford oneself the luxury to come into the studio and all day, every day, spend one's life making aesthetic propositions. What an immense luxury.
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One must be a god to be able to tell successes from failures without making a mistake.
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One of the advantages of being disorderly is that one is constantly making exciting discoveries.
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One of the members of the group, I can't remember which one, found out we were making $3 - $5,000 a night. We were getting a hundred dollars a week a piece. Everybody got upset about it.
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One thing I love to do is produce. I've produced a couple of bands. I mean, nothing ever really happened with 'em, but I enjoy getting a young band into the studio and guiding them, and making them feel at ease.
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One's mind has a way of making itself up in the background, and it suddenly becomes clear what one means to do.
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Oral delivery aims at persuasion and making the listener believe they are converted. Few persons are capable of being convinced; the majority allow themselves to be persuaded.
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Our plans miscarry because they have no aim. When a man does not know what harbor he is making for, no wind is the right wind.
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People can criticise all day long, I think I've proven myself, I think I deliver. And I agree, box office does not mean a movie's good, but I feel like I'm making good movies and I'm delivering in box office.
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People don't ask for facts in making up their minds. They would rather have one good, soul-satisfying emotion than a dozen facts.
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People lie because they don't remember clear what they saw.
People lie because they can't help making a story better than it was the way it happened. -
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
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People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
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People think computers will keep them from making mistakes. They're wrong. With computers you make mistakes faster.
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Perhaps the central reason that Ahmadinejad's message, and the hundreds of thousands of voices echoing his call throughout the world, are so dangerous is because the Free World is making precious little effort to assert its own message.
Reprinted in Live from NYs 92nd Street Y continues. Vail Daily. October 7, 2007. Discussing Mahmoud Ahmadinejad
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