Quotes 12761 till 12780 of 13894.
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When I am getting ready to reason with a man, I spend one-third of my time thinking about myself and what I am going to say and two-thirds about him and what he is going to say.
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When I am grown to man's estate I shall be very proud and great. And tell the other girls and boys Not to meddle with my toys.
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When I am working on a problem, I never think about beauty but when I have finished, if the solution is not beautiful, I know it is wrong.
Richard Buckminster Fuller
American architect, systems theorist, author, designer, and inventor (1895 - 1983) -
When I began writing that I was able and did travel and met some fascinating people and also uncovered some history, which has not been discovered before.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
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When I entered high school I was an A-student, but not for long. I wanted the fancy clothes. I wanted to hang out with the guys. I went from being an A-student to a B-student to a C-student, but I didn't care. I was getting the high fives and the low fives and the pats on the back. I was cool.
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When I finished my term, I thought about running for governor then but decided not to because, frankly, I didn't think I was ready. I wasn't comfortable that I was prepared to do the job.
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When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
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When I first ran for Congress in 1992, I campaigned on a pledge to make affordable, quality healthcare a right, not a privilege, for all Americans.
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When I get to be a man! Being human, though boys, they considered their present estate too commonplace to be dwelt upon. So, when the old men gather, they say: When I was a boy! It really is the land of nowadays that we never discover.
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When I give a man an office, I watch him carefully to see whether he is swelling or growing.
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When I go into schools to speak, I am not giving a speech - it's really a one-man show. I call it 'didactic standup.'
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When I have a full schedule like that, I don't see myself sitting there for a couple of months, doing the research, going through a painful process, it's just not my thing anymore.
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When I hear a man preach, I like to see him act as if he were fighting bees.
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When I interview someone, I know in the first two minutes if I like them or not. I find that if it's easy to talk to someone and I see an openness and honesty and integrity, then I usually hire them.
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When I judge art, I take my painting and put it next to a God made object like a tree or flower. If it clashes, it is not art.
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When I lay these questions before God I get no answer. But a rather special sort of 'No answer.' It is not the locked door. It is more like a silent, certainly not uncompassionate, gaze. As though He shook His head not in refusal but waiving the question. Like, 'Peace, child; you don't understand.
A Grief Observed (1961) -
When I listened to Elvin Jones, man, for the first time I heard a drummer that had all the technique plus emotion, passion, feel, and just - good God!
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When I lived in New York, not only did I have safety locks on the door but I had the music going, keeping the city at a distance, trying to find creative time and peace and so forth.
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