Quotes 1 till 20 of 190.
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If you suck on a tit the movie gets an R rating. If you hack the tit off with an axe it will be PG.
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Shakespeare, Leonardo da Vinci, Benjamin Franklin, and Lincoln never saw a movie, heard a radio or looked at TV. They had loneliness and knew what to do with it. They knew that was when the creative mood in them would work.
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'Bagdad Cafe' was a film that changed many, many people's lives... how they saw themselves and how they looked at their life situation. I thought I made a little movie. All the mail that I get is about how it changed lives, and that's wonderful.
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'Diary of a Teenage Girl' was my first American movie. It was my first movie in an American accent. It's based on a graphic novel, which was written in 2002 by someone called Phoebe Gloeckner. It was turned into a play by Marielle Heller, who then wrote it as a screenplay for Sundance Labs.
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A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.
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A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage.
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A movie grants a visa. A book makes you a citizen.
Release the Bats: Writing Your Way Out Of It -
A movie I must have seen 10 times is 'Jonathan Livingston Seagull.' It's an old movie, but still such a beautiful message. If I had only one film I could take on my computer on a desert island, I would take 'Jonathan Livingston Seagull.'
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Actually shooting a 3-D movie is not different at all than making a 2-D one. You never really notice that you're making a 3-D movie. The terminology used around the set is a little bit different, but other than that, you'd never know.
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All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.
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And I always had this idea for making a movie about a femme fatale, because I like these characters. They're a lot of fun, they're sexy, they're manipulative, they're dangerous.
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And Shanghai is amazing. I'm a fan of science fiction so when you're there in the night with all the lights and all this modernity, it's like a set in a movie.
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Apparently nobody really read it, it was a cheap movie, it fit their schedule in terms of things so fine, let the guy make that high school comedy. I used to work with Mel Brooks so they figured oh it's going to be one of those really silly movies and that's how it got made.
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As an author, you can't expect a movie to be an illustration of the book. If that's what you hope for, you shouldn't sell the rights.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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But I don't just see the movie when I see the movie, I see all the great people who worked on it and all their hard work, because they could not have worked any harder.
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But I'm never gonna get to a point in my life where what it costs to shoot a movie is going to determine what it is. The limits of my imagination is the only thing that's gonna stop me.
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Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
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