Quotes 41 till 60 of 190.
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I don't want to say, 'This is where I'm going to be in five years and I'm going to get there no matter what.' I want to leave it open. I'm not a desperate actress dying to star in a B movie in a bikini.
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I don't want to say, 'This is where Im going to be in five years and Im going to get there no matter what.' I want to leave it open. I'm not a desperate actress dying to star in a B movie in a bikini.
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I guess the thing is that we remained huge friends after the original Phantom movie, when we decided it wouldn't take place and we just saw each other socially over the years so we were friends.
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I know it's hard to blame the time, but there's a bit of an expectation for a summer movie. I think that 'Superman Returns' was a bit nostalgic and romantic, and I don't think that was what people were expecting, especially in the summer.
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I like a little movie I did in the early nineties called 'Mortal Thoughts.' The part was hardly written, but I learned a lot making it. No one remembers it.
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I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.
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I simply went down there to catch up with an old mate of mine, who owns the place. He's the one who wrote the book on the place, but no, no movie, just a beer.
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I think a lot of people have a vision of L.A. in which TV executives and movie directors plan their latest productions by the swimming pool.
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I think one of the things that was a huge surprise to everyone with 'Silence of the Lambs' was that that was an Oscar-winning horror movie. It struck such a nerve with audiences that it was a very particular, special experience.
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I thought we were making a nice little movie. That's how it was regarded by everyone else, too.
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I want to be the best actor that I can be; I want to be working in this business absolutely, and if that means being a movie star, then OK, that's fine. But to me, movie star, celebrity, all that stuff means something very different than being an actor.
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I want to do a musical movie. Like Evita, but with good music.
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I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
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I'm a little Type A, and I have this really thick binder whenever I do a movie where I make a million notes, and in between takes, I'm checking it out.
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I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
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I'm thinking, this is Robert Redford. You know, he's won an Academy Award, he's talking to me about directing a movie he's in. So you just think that it's Hollywood stuff or whatever.
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I've been in love with the cinema since childhood and it's a fantasy of mine to appear in a Hollywood movie.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I've tried to make 'Strictly Ballroom' impossible to date. It does feel a bit '80s but I consciously made sure there was no technology in the movie that could date it.
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If a movie doesn't even have financing yet, they'll do a table read for it at a casting director's office with actors, for the producer and the writer, just to hear if the movie is working.
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